Category Archives: Tesseracts Twenty-one

My WWC Schedule

When Words Collide is kinda my jam. Technically apparently it’s a ‘Festival for Readers and Writers’ but I just call it my favourite convention, and I go every year.

There is a ridiculous amount of programming at WWC. I’m not kidding. There are twelve separate programming tracks, and it’s not like there are three real program tracks and a whole bunch of filler. Nope. All of these tracks are packed full of awesomeness so I wanted a bit more time to take it all in. So this year my schedule is a bit more laid back than on previous years 🙂

Friday

1pm — Live Action Slush: Early Bird Edition (Fireside)

Bring the 1st page of your short fiction manuscript to be anonymously read aloud and
receive comments from our editors.

This was the first ever panel I was on (at WWC or any convention ever) and it was so much fun I ask to be put on it every year.

5pm — Blue Pencil Session (Heritage)

Bring the first page or two of your manuscript (max 1000 words, typed, double-spaced) for
1-on-1 feedback from an editor.

These are booked ahead of time and I’m fully booked already (though there is usually a wait ist you can get on in case someone cancels). If you are one of the people coming to see me it’s a really good idea to send your work ahead of time so we don’t spend all our time together with me reading.

Saturday

11am — Equus Book Social (Fireside)

Whether winged or at home in the water, mechanical or mythological, the equines that gallop through the pages of the Equus anthology span the fantasy spectrum. From steampunk-inspired stories and tales that brush up against horror to straight-up fantasy, one theme connects them all: freedom. Join several contributors (and a couple special guests)
as they read short excerpt from their stories.

This is going to be awesome. I’m just sayin’…

12pm — Tyche Books Presents (Fireside)

Tyche Books introduces new books for 2017. Join the editors and attending authors for teaser readings and Q&A.

Okay, so I’m not actually ON this panel, my book from Tyche is a 2018 title, however since this panel immediately follows the Equus panel I can’t see any reason why people shouldn’t just hang around and watch it too 😉

4pm — Edge Publishing Presents (Fireside)

I’ll be talking briefly about the upcoming Tesseracts anthology that Greg Bechtel and I just finished putting together. Mostly, however, there will be readings from Edge authors 🙂

8pm — Autographs

I will be taking part in the mass autograph signing as will many Equus and D is for Dinosaur contributors so if you have a copy of either anthology this is the best place to collect a whole bunch of signatures 🙂

Sunday

2pm — Featured Author (Edge Publishing booth in the Vendor Room)

I’ll be spending an hour hanging out at the Edge Publishing booth in the vendor room. Last time I was the Featured Author I managed to wrangle two other people (Cat McDonald and Sandra Wickham) into joining me so we had a trifecta of awesome featured authors, so who knows what this year will hold? Swing by to talk about, well, whatever you wanna talk about. It’ll be fun 🙂

4pm — Collaborative Publishing (Fairview)

How HAUNTED HOSPITALS was born, created and developed (inspiration, origin story, how we divided the book up, and tools we used). This workshop provides insights on how to successfully collaborate on a writing project.

Haunted Hospitals wouldn’t exist if it weren’t for When Words Collide. Mark and I talk about it specifically and also more generally about collaboration 🙂

If you’re going to be at When Words Collide I hope to see you there! And please don’t be shy, even if we’ve never met before if you see me, please come up and say hi 🙂

Tesseracts 21 Wishlist

EdgeI have the pleasure (and honour) of being one of the editors of this year’s Tesseracts anthology. Tesseracts Twenty-one has the theme of ‘Optimistic SF’ which I think is just perfect, because can’t we all use a little more optimism in our lives?

In the submission guidelines the theme is described as:

The theme of the anthology is ‘optimism’ – which doesn’t necessarily exclude dark or scary settings – but requires some sort of optimistic twist or element. Whether that takes the form of a solar-punk tale set in a sustainable world with a post-scarcity economy, a POV character existing as an advocate of optimism or something else entirely, the editors want to see it.

“We’re not looking for saccharine sweetness, but rather stories which offer a little brightness and hope in one way or another,” says Rhonda Parrish, co-editor.

“While we’re certainly interested in submissions where a Canadian setting (a specific city, region, or province) plays a role, we’re also open to stories set anywhere in the world, the universe, or the multiverse,” says Greg Bechtel, co-editor.

And submissions are open now, which means Greg and I have had the chance to read a few dozen stories already and I’ve got to say, I’m impressed. I love the different ways people are interpreting the theme of optimism! There hasn’t been a saccharine sweet story in the bunch, which I feel is somewhat of a miracle, truth be told. So even though things are looking really good in the submission pile, it’s sort of a tradition for me to put out a wishlist of sorts when I edit an anthology, so here’s my wishlist for Tesseracts Twenty-one 🙂

When I’m reading submissions the #1 most important thing to me are the characters — they need to be three-dimensional, of course, but beyond that I also need at least one character I can cheer for. They don’t need to be perfect (please God, don’t let them be perfect) but it’s vital that I want them to prevail. Apply this to all the things on my wishlist below, because I do 🙂

  • Solarpunk is  optimistic and envisions an eco-friendly future “focused on envisioning a positive future beyond scarcity and hierarchy, where humanity is reintegrated with nature and technology is used for human-centric and ecocentric purposes.” (Source: Wikipedia.). I’d love to see solarpunk stories that use interesting characters to explore the kinds of conflicts that would exist in a utopian world through an optimistic lens. That might include conflict types that exist now (interpersonal, criminal, political) as well as ones that might come about because of the new state of things. What kinds of conflicts would those be? I don’t know. Surprise me!* Related: I love the solarpunk aesthetic of Olivia’s art here.
  • Stories where different factions learn to work together (or at least co-exist) can be cheesy and overdone or they can be amazing and inspiring. If you have one of the latter, send it! 🙂
  • Good humour is difficult to write, but if you can make me laugh when I read your story you are halfway to the longlist already.
  • A new twist on a build-your-own-spaceship story? Yes, please!
  • I’m always a big fan of a good time travel story, and if that isn’t a sub-genre that is ripe for exploring through an optimistic lens I don’t know what is.
  • There are some who believe humans will set foot on Mars within our lifetime. I mean… I’m just saying… (Hint: I’m not just saying)

I could go on. Normally I probably would go on but these vague little hints I’m offering are just meant to help spark something for anyone who wanted to submit but are currently stuck for ideas, they aren’t meant to be prescriptive. And what I’m seeing in the submissions already is creative, thoughtful and insightful so it seems many of you have already got strong, interesting ideas for optimistic SF. I don’t want to muddy those waters.

Submissions will remain open until the end of April. I hope to see your name in the submissions pile and discover what your interpretation of ‘Optimistic SF’ is!

Submission details available here — http://edgewebsite.com/books/tess21/t21-catalog.html

 

*Plagiarized from the MSWL I posted a couple months ago

 

 

Tesseracts Twenty-one Opens to Submissions

EdgeEDGE Science Fiction and Fantasy Publishing
Calgary, Alberta, Canada
www.edgewebsite.com

 

FOR IMMEDIATE RELEASE – (Embargo to February 15, 2017) 

Tesseracts Twenty-one opens to submissions!

The submission period for Tesseracts Twenty-one officially opens, February 15, 2017. Submissions will be accepted until Midnight April 30, 2017.

Edited by Rhonda Parrish and Greg Bechtel, the anthology focuses on optimistic speculative fiction and will be released by EDGE Science Fiction and Fantasy Publishing in the spring of 2018.

The theme of the anthology is ‘optimism’ – which doesn’t necessarily exclude dark or scary settings – but requires some sort of optimistic twist or element. Whether that takes the form of a solar-punk tale set in a sustainable world with a post-scarcity economy, a POV character existing as an advocate of optimism or something else entirely, the editors want to see it.

“We’re not looking for saccharine sweetness, but rather stories which offer a little brightness and hope in one way or another,” says Rhonda Parrish, co-editor.

“While we’re certainly interested in submissions where a Canadian setting (a specific city, region, or province) plays a role, we’re also open to stories set anywhere in the world, the universe, or the multiverse,” says Greg Bechtel, co-editor.

Stories must be previously unpublished, in English, between 500-5000 words.

Submissions are only open to Canadian writers (citizens, residents, expats, etc.). The editors will accept stories previously published in a language other than English, but they must first be translated into English before submission.

Submissions should be e-mailed to: tesseracts21@edgewebsite.com. The e-mail must contain the word “submission” in the subject line. Submissions must be sent as an attachment: in .DOCX, DOC. or .RTF format.

For more information please read the submission guidelines:

http://edgewebsite.com/books/tess21/t21-catalog.html

 

About the Tesseracts Series

The Tesseracts anthology series is Canada’s longest running anthology. It was first edited by the late Judith Merril in 1985, and has published more than 563 original Canadian speculative fiction (Science fiction, fantasy and horror) stories and poems by 335 Canadian authors, editors, translators and special guests.

Some of Canada’s best known writers have been published within the pages of these volumes – including Margaret Atwood, William Gibson, and Spider Robinson.

Tesseracts Twenty-one will be released in Spring, 2018 in paperback and eBook editions.

 

About the editors

Rhonda Parrish is driven by a desire to do All The Things. She was the publisher and editor-in-chief of Niteblade Magazine, is an Assistant Editor at World Weaver Press and is the editor of several anthologies including, most recently, Sirens and C is for Chimera.

In addition, Rhonda is a writer whose work has been published in Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012 & 2015) and Mythic Delirium.

 

Greg Bechtel’s occasionally prize-winning writing has appeared in several magazines and anthologies, including Avenue Edmonton, The Fiddlehead, Prairie Fire, the Tesseracts anthologies, and Imaginarium 4: The Best Canadian Speculative Writing. His first story collection, Boundary Problems, won the Alberta Book of the Year Award for trade fiction and was a finalist for the William L. Crawford Fantasy Award, the ReLit Award, and the City of Edmonton Robert Kroetsch Book Prize. Currently, Greg is serving as 2016-2017 Writer in Residence for the Canadian Authors’ Association (Alberta branch), and he also teaches writing and literature at the University of Alberta, where he completed his PhD on Canadian syncretic fantasy.

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For further information please contact:
EDGE Science Fiction and Fantasy Publishing
www.edgewebsite.com
events@hadespublications.com
403.254.0160