Category Archives: Writing

zOctober 2014

zOctober2014badge

In October I’m going to participate in zOctober 2014 at My Book Addiction. I’m also hoping to have a few zombie-centric things going on at my blog here (though nothing quite as intense as the Summer of Zombie Blog Tour). Hopefully that will coincide with the release of my newest zombie title *fingers crossed*

This is mostly a head’s up, but if you’d like to swap some zombie-centric blog posts, provide a guest post or participate in an interview on my blog let me know 🙂

When Words Collide Conversations

My tattoo, on the inside of my left forearm. Art by Kat Hayes.ink1I love writing conventions. I’ve only been to a few, but every time I leave feeling exhausted, but also invigorated, inspired and motivated.

During his pre-convention marketing workshop Mark Leslie spoke about serendipity and creating the opportunity to make connections by attending things like conventions and festivals. The whole time he was talking about it I was just nodding along with him. Every time I’ve attended a convention-type-thing I’ve met new people and made new friends and connections. Attending When Words Collide last weekend was no exception.

I met Laura VanArendonk Baugh and Adria Laycraft who have stories in Fae, Leslie and Megan who I’ve connected with online for what feels like forever but is actually closer to a few months, people I share tables of contents with, publishers who’ve believed in my work enough to include it in their titles, local writers who I somehow hadn’t managed to connect with before and lots of other new people (readers, writers, editors, marketers… the list goes on and on…).

And I got to re-connect with people who I only get to see at events like this.

Also? I got to have conversations like these (vagueified–which should totally be a word–anonymized and paraphrased):

~*~

Him: Can I see your tattoo?
Me: Blah blah blah… as you can see I like corvidae. In fact, I’m editing an anthology called Corvidae, and a companion anthology entitled Scarecrow.
Him: I have a scarecrow story, how would I send that to you?

~*~

Me: I’ve always wanted to write a book about THIS THING which totally falls into the same category as a lot of your work but I lack the expertise and there never seems to be enough time in the day.
Him: Do you want to write it together?
Me: Uh, lemmethinkaboutthat–YES^

~*~

Friend: Oh my god! After that panel where part of my story was read I was approached by a publisher and asked to submit!

(Note: When awesome things like this happen to your friends, it’s almost as cool as when they happen to you. It’s amazing to be there in person to help them celebrate.)

~*~

Me: I can’t wait to read your book, when does it come out?
Her: *tells me*
Me: I don’t know if I can wait that long. Do you need blurbs? If I like it as much as I think I will…
Her: Oh, that would be great. I hate asking people for blurbs!

~*~

Awesomesauce Editor, after reading & marking up the opening to Hollow^: I like this. I really like this. Close your eyes and listen to this *reads my (edited) story back to me*
Me: Wow. I didn’t know I could write that well!

~*~

Post on Facebook: Rhonda! The dealer’s room is sold out of copies of Fae, do you have any more?^

~*~

A couple different people (!!): Rhonda Parrish? I’ve heard of you… (and they didn’t mean in a bad way LoL)

~*~

Me, right before my first panel ever in life: Dude, I’m really, really, really nervous.
Fellow Panelist, who is awesome #1: Come sit over here beside me.

Me, after being on my first panel ever in life: Oh man! I made it through and I’m pretty sure I didn’t even say anything stupid! (my goal for every panel was just not to say something stupid. I think I only failed once LoL)
Fellow Panelist, who is awesome #2: You were great. Hugs!

~*~

My point? Conventions rock. I’ve never regretted attending one, and I had an especially awesome time at When Words Collide. Such a good time, in fact, that I’m already registered to attend it again next year. Maybe I’ll see you there?

 

^more on this later or much later as is appropriate given the subject

Published: Beneath

ds14I love this cover art! Even more, I love that it’s a publication I get to add to my Ego Shelf because it contains one of my poems 🙂

Beneath, originally published by Every Day Poets, is included in the 2014 Dwarf Stars anthology 🙂

My contributor copy was waiting for me when I arrived back home from When Words Collide and I absolutely can’t wait to sit down and devour it. I already snuck (sneaked?) a peek at the page my piece is on and saw Megan Arkenberg’s poem, This Bus Stop Was a Coral Reef, Once which I enjoyed so much I read it out loud to Jo (who also liked it).

Published: Vampiric Fluff

These Vampires Don't SparkleMy poem, Vampiric Fluff, has been reprinted in this anthology edited by Carol Hightshoe, These Vampires Don’t Sparkle.

I’ve previously described the poem as my ‘flufftastic iambic tetrameter vampire poem’ and really, I think I picked that description because I love saying iambic tetrameter because it makes me sound all clever and pretentious. This poem? Pretty much the least pretentious poem evar. Possibly as indicated by the title 😉

Sale: Shadows

Long Journey of a Girl by Darek ZabrockiAbout couple years ago I made the very difficult decision to shelve my novel, Shadows. Not because I didn’t love it (I did) but because while it still needed work I was far too close to it to be able to see exactly what direction that would should take, and how to fix it. Then, not so long ago, I dusted it off a little in my “spare” time and tweeked it a bit. After two years away from it I was much more able to see what needed to be changed. So I made the changes, got it as good as I could on my own and then submitted it to World Weaver Press.

They liked it!

In fact, they bought it 🙂

I’m super stoked. My novel, Shadows*, has been accepted for publication by World Weaver Press in 2015!

 

I’ve got my editorial letter for it, and the manuscript is due in November so between editing Shadows, transcribing Hollow, promoting Fae & A is for Apocalypse and reading for Corvidae and Scarecrow I am going to be freaking busy for the next few months, but I can’t even begin to tell you how happy I am about it. It’s a good kind of swamped. The best kind of stressed.

Also, did I mention I’ve already received my editorial letter? It’s my very first one ever, which makes me a little giddy and the suggestions are dead on. Just reading it got me totally excited about working on Shadows again and making it even more amazing than it already is 🙂

For those of you who are familiar with my Aphanasian stories, you’ll be pleased to hear this book includes all your favourites (Colby, Xavier, Shadow, Bayne & Teyat). Michael (from Sister Margaret) is back, and there are some characters who may become new favourites as well. You’re going to love it. But you don’t get to read it until sometime in 2015. In the meantime, just be very happy for me… and forgive me if I’m even slower than usual at replying to emails. It’s gonna be crazy around here for a bit LoL

🙂

*We’re looking at changing the title to better reflect the changes in the story. I’ll keep you updated 😉

**The art for this post is ‘Long Journey of a Girl’ by Darek Zabrocki. I commissioned it to use for the cover of Lost and Found. Once he was done Darek put up a tutorial on how he created it, which you can see here if you’re curious to see how the artwork was developed 🙂

Published: Confessions

 

Confessions

First of all, can I just say I love this cover? Because I love this cover! I suppose you might have guessed that by the fact I’m posting it here full-size, but dude! I think it’s brilliant 🙂

This is Confessions: A Nightmare in Five Acts. It’s one long poem that is made up of a series of connected cinquains written by twenty-two poets, including myself. Confessions is the brain child of Joshua Gage who had the idea to create a collaborative poem using cinquains, organised everyone and went through all the effort of finding us a publisher, but find us one he did.

Confessions features the work of: William C. Burns Jr., Gary Blankenship, Michael L. Evans, Joshua Gage, Toni J. Gardner, Sandra Kasturi, Deborah P. Kolodji, David C. Kopaska-Merkel, Sandra Lindow, Terra Martin, Robin Mayhall, Karen L. Newman, Rhonda Parrish, Pamela Pignataro, Terrie Leigh Relf, Marsheila (Marcy) Rockwell, Shanna, J. E. Stanley, Marcie Lynn Tentchoff, Gene van Troyer, Scott Virtes and Stephen M. Wilson. And best of all? It’s available now from Elektrik Milk Bath Press!

Confessions at Elektrik Milk Bath Press

 

(All proceeds from the sale of this book will benefit the Science Fiction Poetry Association)

Dwarf Star Nomination: Beneath

ds13My poem, Beneath, is going to be included in the 2014 Dwarf Stars anthology. That means it is eligible for a Dwarf Star award!!1!

Let’s be honest here, my odds of placing in the top three are pretty freaking slim (I’ve seen the anthology, there is some amazing work in there), but dudes — my poem is included! I’m over the moon 🙂

The last time my work was nominated for an award or any sort of special recognition was five years ago when my poem Lovers was nominated for a Rhysling award. So it’s been a while.

This? This makes me happy.

(That cover is for last year’s Dwarf Star anthology. I’m not sure if I’m allowed to share this year’s cover yet so… )

 

Published: The Grotesque

Bete Noire #15My poem, The Grotesque, is in the most recent issue of Bete Noire. I freaking love this cover. I’ve been in a few issues of Bete Noire but this is my favourite cover of them all. It might be my favourite poem too, but that’s a close call. I’m proud of all the works of mine Bete Noire has seen fit to publish.

There’s another cool thing about this issue. I get to share a table of contents with a lot of talented folks, including Marge Simon. Marge and I work together regularly for Niteblade, but we don’t often get to share a table of contents, so that’s just a nice bonus 🙂

Mythbusting Monsters: Zombies

Once upon a time I wrote a short-lived series of articles for Dark Moon Digest I called Monster Mythbusting. The first of those articles, Monster Mythbusting: Haitian Zombis appeared in Dark Moon Digest Issue #2 in 2011. I’m going to reprint it here today in honor of the fact I’m giving my blog over to zombies this month to celebrate my the release of my latest zombie title, Waste Not (And Other Funny Zombie Stories).

Monster Mythbusting: Haitian Zombis

When Stan invited me to do a column for Dark Moon Digest first I was flattered, and then in no time at all I was stumped. What could I possibly write about from issue to issue that people would want to read? After considering and rejecting a great number of ideas I settled on this one: Monster Mythbusting.

Ever wonder if a lizard really could grow big enough to tower over buildings, if a creature could spontaneously burst into flames (or sparkle) when exposed to sunlight, or if zombies could really exist? Then stick around. These are the sorts of questions I plan to tackle in this column.

We’re going to start with the zombie. Zombies have enjoyed an upsurge in popularity recently which makes me very happy. Ever since, as a kid, I first saw George Romero’s original Dawn of the Dead I have been hooked on zombies. Whether they are shambling undead hordes, hanging out in regency novels or rage-filled “zoombies”, it doesn’t matter; I love them all. That made them the perfect monster for my first Dark Moon Digest column, but I needed a specific myth to examine.

One of my favourite zombie types is the living zombie, specifically those purportedly created via voodoo. Wade Davis, an ethnobotanist (a scientist who studies culture, plants and the interaction between the two) has spent a lot of time studying this type of zombie and the process by which they are created in Haiti. His work and theories were popularized by his novel, The Serpent and the Rainbow, and the Wes Craven movie of the same name. His work inspired the question I’ve decided to investigate for this column: do zombies exist in Haiti today?

Belief in the existence of zombies is nearly universal in Haiti and I think it’s important to note that Haitian zombies are not Hollywood zombies. They are not ghouls set on spreading their affliction throughout the human race. In fact, in Haiti people aren’t afraid of zombies, they are afraid of becoming one. It’s not the zombie that is the monster, but its creator. A Haitian zombie (or zombi) is a person who has had their soul removed from their body, leaving them a mindless, empty shell. In direct conflict with the idea of cannibalistic zombies, in Haiti it is strongly believed that zombis who have been created to be a slave must not be fed salt or meat lest their spirit be returned to them.

The belief in zombification is so pervasive in Haiti that there are laws against it. Article 249 of the penal code in Haiti equates turning a person into a zombie with murder even though the zombie is still technically alive. The fear of grave robbery and being raised from the dead is so strong that Haitian crypts are often locked and barred. Guards are set on them, to watch until the bodies are decomposed enough to be beyond resurrection or usefulness to a voodoo priest or “bokor”.

Practioners of voodoo believe zombis can be created in two ways. The first is accidental and the second intentional. Accidental zombis are believed to happen in the course of some voodoo ceremonies. During these rituals it is not uncommon for a believer to become possessed by the spirit of a god. Since a god and a person cannot be in the same place at the same time, the person’s soul temporarily leaves their body. They believe if the god’s spirit vacates the body too abruptly it may take the person’s spirit with it, leaving them a zombi. Religious accidents do not lend themselves well to being studied. Thus, for the sake of this column I am going to focus on intentionally created zombies.

Voodoo curses and zombification (or the threat thereof) are used as a means of vengeance in Haiti. A person can hire a bokor to zombify their enemies, killing them and then raising them from the dead as soulless slaves. It’s the ultimate revenge.

Wade Davis studied the powder bokors use to create zombies and found that it contained a powerful neurotoxin called tetrodotoxin which comes, primarily, from the puffer fish. Exposure to this venom can result in a comatose state that strongly mimics death. Thus, he theorized, people could be mistakenly declared dead and buried.[1] Then the bokor could dig them up.

Oxygen deprivation from their time in the grave could cause brain damage. The typical progression of this sort of brain damage (cerebral hypoxia[2]) is to first destroy higher order abilities such as speech and independent thought before it affected motor function. This would, in theory, leave people mobile and able to perform simple tasks but unable to think for themselves.

Once disinterred, they would be forced to eat “zombie cucumber”, a pasty mix of cane sugar, sweet potatoes and a powerful psychoactive substance called datura stramonium. The datura stramonium could cause memory loss and keep the newly created zombies submissive and disoriented.

There are those who find fault with Mr. Davis’ theories. Two scientists in particular, who are experts about tetrodotoxin, C.Y. Kao and Takeshi Yasumoto, took issue with his findings. They argued that Mr. Davis had hurt his scientific credibility by keeping certain information which may have cast doubt on the potency of zombie powder out of his thesis and condemned him for participating in graverobbing as part of his research. They also believed that the concentration of tetrodotoxin in the zombie powder he studied was too low to have any affect on a human subject.[3] However, the potency of the powder is likely to be highly variable—bokors don’t tend to use precise measurements and the toxicity of the puffer fish varies from season to season and even across gender. Thus, it’s conceivable that some powders might be more potent than others.

On the other hand, there is a famous case study that lends credence to Mr. Davis’ theory. In 1962, Clairvius Narcisses, a Haitian man who complained of symptoms of exposure to tetrodotoxin, was declared dead by two American-trained doctors and subsequently buried. Eighteen years later, a man claiming to be Clairvius approached his sister, identified himself and shared information that wasn’t common knowledge to attempt to prove his identity. He claimed he’d been turned into a zombi and forced by a bokor to work on a sugar plantation until the bokor’s death released him from his power.

The man claiming to be Mr. Narcisse alleged that, after being declared dead, he remained completely conscious and aware of what was going on around him but was unable to move or communicate—the same symptoms have been described for individuals poisoned with tetrodotoxin. He also claimed to be aware of his funeral and burial and showed a scar on his cheek where a nail punctured him when the coffin lid was fastened. Upon being quizzed about obscure familial and local knowledge that only someone from his village around the time of his alleged death would know and he answered them all correctly. Intriguing, no?

In 1996 and 1997 Roland Littlewood and Chavannes Douyon went to Haiti and examined three people who were purported to be zombis. They determined their first subject was a catatonic schizophrenic, the second had brain damage which was likely the result of anoxia and the third had a severe learning disability that was quite likely fetal alcohol syndrome. Most interestingly, was the fact that two of their subjects were DNA tested and found to be unrelated to the people who claimed them as family[4].

Littlewood and Douyon’s study implies that people who are brain damaged or mentally ill may be confused for zombis. However, we can’t use this case as evidence against the existence of zombis because Littlewood and Douyon would not dismiss the possibility that these people—especially the one who was brain damaged from a lack of oxygen—had been poisoned by a bokor with zombie powder. In fact, they said, “Given that death is locally recognised without access to medical certification, and that burial usually occurs within a day of death, it is not implausible for a retrieved person to be alive. The use of Datura stramonium to revive them, and its possible repeated administration during the period of zombi slavery could produce a state of extreme psychological passivity.”[5]

So, are Hatian zombis real? While I believe that some cases of zombification are actually misunderstood mentally ill or damaged people, I find that I’m unable to dismiss all cases this way. Perhaps the zombie powder doesn’t work very often, but it doesn’t have to. If it works even once in a million times that is enough. In addition, as Mr. Davis pointed out, we have to take the Haitian culture into account when considering zombis; they believe in them and in the power of voodoo, and belief is a powerful force. In the end I’m not willing to call this myth confirmed, but I definitely think it’s plausible. Perhaps we’ll never know the answer for sure but that only adds to the mystique around Haitian zombis and tightens the grip they and voodoo have upon our imagination.

14369343533_40d6d17f14_b

[1]E. Davis, Wade (1985). The Serpent and the Rainbow. New York: Simon & Schuster. [2] “Cerebral Hypoxia Information Page: National Institute of Neurological Disorders and Stroke,” accessed November 4, 2010. http://www.ninds.nih.gov/disorders/anoxia/anoxia.htm [3] Takeshi Yasumoto and C.Y. Kao, “Tetrodotoxin and the Haitian zombie,” Toxicon, No. 24, (1986). [4] Roland Littlewood and Chavannes Douyon, “Clinical findings in three cases of zombification,” Lancet, No. 350, (1997). [5] Littlewood and Douyon, “Clinical findings in three cases of zombification.”

 

(I added the tree picture because if you squint at it in just the right way it’s almost “spooky”, I haven’t taken any zombie photographs [yet] and I really felt like there needed to be a break between the body of the article and the references. So. Yeah.)

About My Cover

This is me and my beautiful daughter, Danica:

Rhonda and Danica ParrishPhotograph by Cindy Gannon

And this is the cover for my latest title, Waste Not (And Other Funny Zombie Stories):

Waste Not (And Other Funny Zombie Stories)

It’s not exactly a typical zombie cover, is it? You can’t even tell if there are any zombies on it. Well, since the stories inside aren’t of the scary/gorey type of zombie tales I didn’t want the cover to be like that either. Also, it just so happens that Danica is an artist. A pretty talented artist (even if I am biased to think so :-p):

One day, on Facebook I logged in and saw this:

Mom, Please Buy Me -- art by Danica Parrish

In case you can’t read that it says, “Plz buy me this program Mom”. She’d found a drawing program that was compatible with her tablet and she wanted me to buy it for her. Now, Danica doesn’t lack for anything she needs but we do try not to just hand her everything she wants, so I told her that if she drew art work for the cover for Waste Not (And Other Funny Zombie Stories) I would pay her the exact amount of money she needed to buy that program.

I asked her for a cover with a cat, a scarecrow and a yellow brick road.

After several different mock-ups, including this one when I asked her to make something “a bit more cartoony” (my daughter is nothing if not a smart ass):

by Danica Parrish

We ended up with this as the final product:

Cover art for Waste Not (And Other Funny Zombie Stories) by Danica Parrish

I passed that on to Jo (my husband) and he played around with it, eventually turning it into the final cover for Waste Not that you see up top there.

Even though we didn’t go with the full colour version in the end, I did want to be sure and show it off because I think it’s wonderful, especially the glow from the Emerald City you can see on the horizon 🙂

The cover then was an undertaking for the whole family, which makes it pretty damn special to me, and probably pretty unique in the zombie fiction world in more ways than one LOL Not many families can say they’ve created a zombie book together, I wouldn’t think 😉