The Struggle IS Real

BEST (1)

Sometimes this thing we do, it’s freaking hard.

And it’s lonely. And depressing. And sometimes it kicks your ass so hard you begin to wonder why you do it. And the next time it hits you you wonder if you should stay down.

Or at least, that’s how it is for me.

Maybe for you too? If so, I want you to know that you’re not alone.

For me, it’s a near constant struggle. Against the cursor blinking at me from an empty Word document. Against an industry that is broken. Against my own demons (depression, self-doubt). Against that bottom line that just. doesn’t. move.

And it’s lonely. Because no matter how many friends you have and how much support they try and give you, in the end it’s just you and the book/story/poem.

When I first moved in with Jo 15(?) years ago, we lived in a pretty rough neighbourhood. There was a crack house across the street and the house beside it was home to a constantly changing number of working girls. We’d go for walks and I’d pick up needles from the grass beside the elementary school. Our street was blocked off by police cars more than once. It was… unsavoury. The house next door was exceptionally run down, and the man who lived there had obviously had a difficult life. He was poor, I’m pretty sure he was an alcoholic, and he worked fucking hard.

That dude, from sunup to sundown he was working. He’d be shoveling bottles into the back of his truck to take to the depot for a refund. Or sorting through various metals to sell for reclamation. Or–you get the idea. He worked his ass off… but he never seemed to get anywhere.

There are days when I feel very much like that man.

…and then there are days like today.

Today I hit my word goal for the day. Yay writer me!

And today this happened:

Yay editor me!

And this happened:

https://twitter.com/Saboviec/status/699953321281515520

Yay editor & publisher me!

And it made it easier to remember why I do this thing I do. It’s not for the bottom line that never moves, it’s to make good art. And maybe make some people happy along the way.

…but sometimes? It’s still freaking hard.

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Photographs by me. Model in the top one is my niece Jayde.

Scarecrow Contributor Interview: Holly Schofield

Scarecrow Blog Tour

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with Holly Schofield. I met Holly when we were on a panel together at When Words Collide, and I’ve shared a table of contents with her in Tesseracts 17 but this was the first time I got to work with her directly 🙂

Interview with Holly Schofield

Please share a short excerpt from your story:

I pictured the scene as a crow might see it: the scarecrow high-stepping under the moon, tails flapping, twisting like the hepcat he would become. NBC’s Palmolive Hour alive with sweet jazz, the hopeful scent of ripening tomatoes, and the moonlight playing among the carrot fronds. The scarecrow tap dancing madly to “California, Here I Come” as it blared out the window of the farmhouse he was never, ever invited into. 

What is it about scarecrows that inspired you to write about them? Scarecrows held no appeal for me at all, the dusty, frumpy old things. That is, until I read Rhonda’s suggestion of a _steampunk_ scarecrow. Then I was off and running, like a mouse across a cornfield.

As you may know, one of Edmonton’s local Twitter personalities is Magnus E. Magpie who haunts Twitter as @YEGMagpie. I invited him to read an advance copy of Corvidae and Scarecrow and offer a short cawmentary on each story from a magpie’s point of view, which he did. When he was finished I asked if there was anything he’d like to ask the contributors. The italicized portions are mine because Magnus didn’t ask straight-forward questions on account of he’s a magpie 🙂

Mr. Yegpie: It would be cool to know where all these stories came from, I mean geographically – like I think I could tell who was from Edmonton and who was from Vancouver! (Where do you live, and did that affect your story/poem at all?I come from a province filled with thousand-acre farms and not a scarecrow to be seen.

Mr. Yegpie: I also would sure love to know where they got their ideas from! I caught several familiar references from existing books and mythology and fairy tales; I like seeing people riff off stuff. (What inspired your story/poem?I had read Rhonda’s blog suggesting steampunk scarecrows immediately after I had randomly read about dance marathons during the Depression. The two ideas synched together like dance partners fox-trotting across the floor.

Holly Schofield’s work has appeared in many publications including Lightspeed, Crossed Genres, and Tesseracts. For more of her work, see http://hollyschofield.wordpress.com/

Scarecrow edited by Rhonda Parrish

Amazon: (CA) (UK) (US)
Kobo: (CA) (US)
Direct From the Publisher: World Weaver Press

Corvidae Contributor Interview: Adria Laycraft

CORVIDAE blog tour banner

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with Adria Laycraft. I met Adria through Fae, and my friendship and professional working relationship with her are one of the best things to have come out of that anthology.

Interview with Adria Laycraft

Please share a short excerpt from your story:

“It was a stone crow that saved me,” she said, remembering that awful final night. “I hit him with it, in the head. He thought it was a raven when he gave it as a gift.” The idea struck her as funny, and she laughed. Raven laughed too, tossing his head back and pointing his beak at the sky.

What is it about corvids that inspired you to write about them? I love birds in general, but corvids hold a special place in my heart for their intelligence and tenacity. I think they appear in so many mythologies and legends because they are worthy of it!

Was there one corvid characteristic you wanted to highlight more than others? I wanted a modern riff off old myths, highlighting Raven’s trickster ways, his laziness, and the fact he is seen as Creator in so many West Coast stories.

If you were a corvid, what would you build your nest out of? The feathers of my foe. Mwhahahaha…

What’s your favourite ‘shiny’ thing? As many are aware, I collect crystals and minerals. They are my ‘shiny’ treasures, my precious.

As you may know, one of Edmonton’s local Twitter personalities is Magnus E. Magpie who haunts Twitter as @YEGMagpie. I invited him to read an advance copy of Corvidae and Scarecrow and offer a short cawmentary on each story from a magpie’s point of view, which he did. When he was finished I asked if there was anything he’d like to ask the contributors. The italicized portions are mine because Magnus didn’t ask straight-forward questions on account of he’s a magpie 🙂

Mr. Yegpie: It would be cool to know where all these stories came from, I mean geographically – like I think I could tell who was from Edmonton and who was from Vancouver! (Where do you live, and did that affect your story/poem at all?I live in Calgary, but my heart lies on the West Coast of Vancouver Island where my story is set, in the village of Ucluelet.

Mr. Yegpie: I also would sure love to know where they got their ideas from! I caught several familiar references from existing books and mythology and fairy tales; I like seeing people riff off stuff. (What inspired your story/poem?My story was inspired by various Raven stories of the Pacific Northwest people, especially the Nuu-chah-nulth.

Mr. Yegpie: I think I would like to know what people’s favourite corvid is though; and if it isn’t a magpie, WHYEVER NOT?!? (If they come back with some guff about crows using tools, PLEASE LET ME KNOW AND I WILL SEND THEM A COPY OF MY ROGERS BILL. Pffft, crows.) (What is your favourite corvid?It’s hard to choose between my beloved magpie friends, the noisy but entertaining jays, the wonderful crow girls I’ve met, and the magnificent raven characters I’ve known. Mr. Yegpie, we are all family, I cannot choose a favourite!

 

Adria Laycraft reading from her story, Water Sense, at the Fae launch at WWC 2014

Adria has stories in IGMS, the Third Flatiron Anthology Abbreviated Epics, FAE, OnSpec Magazine, Tesseracts Sixteen, James Gunn’s Ad Astra, Neo-opsis Magazine, and Hypersonic Tales, among others. She is a graduate of the Odyssey Writers Workshop and a member of the Imaginative Fiction Writers Association (IFWA). Adria is also an award-nominated editor. For more details visit adrialaycraft.com.

Cover for CORVIDAE. Design by Eileen Wiedbrauk

Available Direct from the Publisher:
World Weaver Press

Or Find it Online:
Amazon
Goodreads
Kobo

Scarecrow Contributor Interview: Virginia Carraway Stark

Scarecrow Blog Tour

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with Virginia Carraway Stark. A writer so dedicated that even being hit by a car barely slows her productivity!

Interview with Virginia Carraway Stark

Please share a short excerpt from your story/stories:

“Edith watched them and fed them her scraps.  She no longer had the eyes of a young mother.  She had aged along with the year and she watched the pigs with the same canny appraisal that the magpies and crows had watched us plant our seeds that spring.  She was the crone now and barren. We must prepare for the maiden of spring together, we must make the path rich and clear for her young, bare feet when she awoke in the growing light of spring.

The next day she brought the kitchen knife with her.  It was long and sharp.  The blade curved inward from being repeatedly being sharpened year after year.  It was the same one she had cut the gourd’s free from their vines with.”

There’s a Japanese God who is represented as a scarecrow. It is all-knowing but cannot move. If you could know any one thing, what would it be? This is a difficult question for me because I don’t know who I would be getting the answer from and I don’t really believe that many questions have definitive, finite answers, so a lot of this would be down to the source. I guess I don’t really believe in answers being just handed to you. Answers are found by searching and otherwise you risk the answers of oracles that could make sense in a thousand different ways. If I can’t find an answer for myself I question whether or not I would be able to understand the answer. Knowledge does not bestow wisdom.

Would it be worth learning the answer if you were forever stuck in one place afterward? And from this, perhaps you can see why I am so cautious to choose a question to have answered. ‘Free’ knowledge so often comes with a price. I wouldn’t want to sacrifice my freedom of movement and I can’t think of any question or answer worth getting for such knowledge.

If you were a scarecrow, what would you look like? What would you be stuffed with? If I were a scarecrow I would like to a dressed in my grandmother’s gardening clothes and wearing her sunhat. I would be smiling, but sadly and somberly because fundamentally I have been reduced to the role of being a passive observer and I would be stranded from helping or changing the course of things. I would want to be smiling so that the people who saw me would smile back and know that someone cares about them. I would likely be stuffed with corn husks, or I would hope I would be. They smell lovely and are soft but firm.

Do you think you’d make a good scarecrow? Why? I think I would be alright as a scarecrow but I think a lot of things would make me sad, in particular frost and winter and not being able to run or swim. I would enjoy watching the trees and the garden and unfortunately for the crops, I would love watching the birds. That would be big failing in a scarecrow and it pushes me more into the direction of: No, not scarecrow material.

What is it about scarecrows that inspired you to write about them? Scarecrows fall into a similar category to dolls, they look like us but they don’t have souls or life of their own. This makes them eerie and because they are stationary, they also see no end of things. They are witnesses to more of our lives than we might be comfortable with and at the same time they have nothing to do but sit and ponder what they have seen. Who know what conclusions or attachments they might make. In Edith and I the scarecrow is drawn to Edith because she is his goddess. She comes and goes as she pleases and she decrees when it is time for the harvest and time for the sacrifices to nature. Like many ‘goddesses’ she doesn’t realize the sort of attention and devotion that she has created and she is left vulnerable to being courted or stalked.

As you may know, one of Edmonton’s local Twitter personalities is Magnus E. Magpie who haunts Twitter as @YEGMagpie. I invited him to read an advance copy of Corvidae and Scarecrow and offer a short cawmentary on each story from a magpie’s point of view, which he did. When he was finished I asked if there was anything he’d like to ask the contributors. The italicized portions are mine because Magnus didn’t ask straight-forward questions on account of he’s a magpie 🙂

Mr. Yegpie: It would be cool to know where all these stories came from, I mean geographically – like I think I could tell who was from Edmonton and who was from Vancouver! (Where do you live, and did that affect your story/poem at all?) I live in Northern British Columbia and I feel that the connection to the weather and the intensity of the seasons makes autumn a poignant time of year. I think that if you were a scarecrow it would be a frightening and intense time, all the more so for how long and deep the freezes are.

Mr. Yegpie: I also would sure love to know where they got their ideas from! I caught several familiar references from existing books and mythology and fairy tales; I like seeing people riff off stuff. (What inspired your story/poem?) My grandmother inspired my poem. She loved the garden and I learned so much from helping her in the garden when I was little. She always treated her scarecrow with such dignity and respect that I wanted to show the story from her scarecrow’s perspective as I imagined it. I always thought that he would be in love with her. After all, she was his mother and would be the only woman who dressed him and cared for him when he was injured. If he was damaged or knocked over she would mend or repair him or put him back up on his post. That’s a strange but romantic relationship.

Mr. Yegpie: I think I would like to know what people’s favourite corvid is though; and if it isn’t a magpie, WHYEVER NOT?!? (If they come back with some guff about crows using tools, PLEASE LET ME KNOW AND I WILL SEND THEM A COPY OF MY ROGERS BILL. Pffft, crows.) (What is your favourite corvid?) My favorite corvid is the blue jay. I had a stellar jay land on my hand and eat from it and I’ve been enchanted by them ever since. I’ve also had a lot of interactions with magpies and crows and ravens. I like the crows the best because they will often have voices and speak to me. Maybe if more magpies were willing to have a conversation they would be my favorite.

 

Virginia

Virginia Carraway Stark started her writing career with three successful screenplays and went on to write speculative fiction as well as writing plays and for various blogs. She has written for several anthologies and three novels as well. Her novel, ‘Dalton’s Daughter’ is available now through Amazon and Starklight Press. ‘Detachment’s Daughter’ and ‘Carnival Fun’ are coming later this year. You can find her on Twitter @tweetsbyvc, on Facebook https://Facebook.com/virginiacarrawaystark and on the web: www.virginiastark.com

 

Scarecrow edited by Rhonda Parrish

Amazon: (CA) (UK) (US)
Kobo: (CA) (US)
Direct From the Publisher: World Weaver Press

Corvidae Contributor Interview: Leslie Van Zwol

CORVIDAE blog tour banner

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with Leslie Van Zwol. Leslie is only beginning to build up a publication history but trust me when I say you really wanna keep your eye on her writing career because she is going places. And I’m not just saying that because she’s my friend, though I’m proud to call her such 🙂

Interview with Leslie Van Zwol

Please share a short excerpt from your story:

Suddenly the sound of hundreds of wings beating in unison is behind me. I have a brief surge of courage before I decide courage is a bad idea and dive into a juniper bush, holding my breath and hoping this camouflage isn’t as pathetic as it seems. The streetlights flicker and go dark. Shadows race past me converging into a solitary point as he materializes on the sidewalk. I watch the Nachtkrapp rise out of the darkness, his death-black sockets burning through the juniper bush.

He is at least three times my size. Matte feathers draping around him like a thick woollen cloak; he cocks his ebony skull to the side watching me as I free myself from the bush.

A sharp curved beak blends flawlessly into the coal-coloured bone like some macabre embellishment from the Devil’s wardrobe. He reaches one of his four bony talons towards me. “One for sorrow… six for gold.” His voice hisses like burning bark.

What is it about corvids that inspired you to write about them? Corvids are too smart for their own good, and their high intelligence often comes out in mischievous ways – this is what I love about them. You often see a group of corvids picking on a lone dog, a bird of prey, a human, or even a wolf. They just don’t care about anything. They lack the natural fear you see in most species. They are the embodiment of the ‘idle hands’ warning – too smart, too cunning, too bored!

Was there one corvid characteristic you wanted to highlight more than others? I wanted to highlight their faults and their talents. Corvids are notoriously resourceful and fearless, but they are not very physically strong. I really wanted to show how they use their skillset to get around their weaknesses – not much slows a corvid down.

Do you think you were successful? I think I did a good job… well I hope so.

If you were a covid, what would you build your nest out of? Anything I could find, but I would lean towards the side of ‘things that did not stink’. No garbage. I would use mint gum as an adhesive, and find the prettiest accessories and add some bling around the edges.

What’s your favourite ‘shiny’ thing? I am a fan of sequins and glitter, but I don’t like them in high concentration, more like a tasteful sprinkle. I am most assuredly not a corvid.

As you may know, one of Edmonton’s local Twitter personalities is Magnus E. Magpie who haunts Twitter as @YEGMagpie. I invited him to read an advance copy of Corvidae and Scarecrow and offer a short cawmentary on each story from a magpie’s point of view, which he did. When he was finished I asked if there was anything he’d like to ask the contributors. The italicized portions are mine because Magnus didn’t ask straight-forward questions on account of he’s a magpie 🙂

Mr. Yegpie: It would be cool to know where all these stories came from, I mean geographically – like I think I could tell who was from Edmonton and who was from Vancouver! (Where do you live, and did that affect your story/poem at all?Well first off, the story came from my vivid imagination. Which, is currently located in southern Alberta. More specifically Lethbridge.

Mr. Yegpie: I also would sure love to know where they got their ideas from! I caught several familiar references from existing books and mythology and fairy tales; I like seeing people riff off stuff. (What inspired your story/poem?How my story was inspired: I really wanted to highlight what a magpie would be if he was a person. His flaws (oh, so many flaws) and strengths. That preliminary idea grew into my grubby, fast-talking, bear-poking, adaptable, shiny-collecting detective. I also wanted to use the traditional magpie poem in a murder/mystery/fantasy setting. Mash those ideas together, blend for 3-5 minutes, then bake for an hour on 350 degrees and you have ‘A Mischief of Seven’.

Mr. Yegpie: I think I would like to know what people’s favourite corvid is though; and if it isn’t a magpie, WHYEVER NOT?!? (If they come back with some guff about crows using tools, PLEASE LET ME KNOW AND I WILL SEND THEM A COPY OF MY ROGERS BILL. Pffft, crows.) (What is your favourite corvid?My favorite corvid is a magpie. Although, I have this strange image of the corvids of the world uniting and taking over the Earth…. Just saying.

Leslie Van Zwol is an avid genre writer who enjoys adding a dash of grit to mystical worlds. She spends her days working for justice to support her nighttime writing habit, and is always on the lookout for her next adventure or inspiration. She also attributes the accuracy of this story to the noisy magpies that were constantly squawking outside of her window during the writing process. (Although the crows continually voiced their objection to the subject matter.)

Cover for CORVIDAE. Design by Eileen Wiedbrauk

Available Direct from the Publisher:
World Weaver Press

Or Find it Online:
Amazon
Goodreads
Kobo

Goals for 2016

Looking Ahead -- My goals for 2016Each year I set goals for the year to come and share them on my blog here. At the end of each year I assess how well I did in accomplishing my goals and set new ones. It’s an important thing for me, this setting and sharing of goals. Setting them and having them written down in concrete language really helps me regain my focus when I lose it (which is often), evaluate progress, get things done and also, look back over time and see a bigger picture of things I’ve accomplished. Sharing them on my blog here with you is equally important because it provides a sense of accountability which can be a huge motivation at times when I need it most.

Over the past couple years my goal lists have grown and grown becoming quite long and complicated. So, too, has my career when you count in the things I don’t talk about here (such as freelance work and ghostwriting). It was kind of beginning to feel overwhelming, which is pretty much the exact opposite of what I’m going for so I think it’s time to simplify a wee bit. Thus…

My Goals for 2016

  • Speed up my blog/website
  • Write the Haunted Hospitals book with Mark Leslie.
    • I’ve begun working on this in February. My goal is to have the first draft of my contribution done by the end of April. I’ve never written anything like this before though, so I’m unsure how reasonable this goal is.
  • Announce D is for… anthology and prepare it for an early 2017 release
  • Release C is for Chimera on April 19th
    • Promote it sufficiently to break the sales numbers for A is for Apocalypse (based on the first three months after release)
  • Release Sirens (July?)
    • Promote it sufficiently to break the earn out its advance within the first year. Bonus points if it’s in the first six months.
  • Attend the ‘Despite Excuses’ writing retreat in California this July
  • Take August off. With the exception of attending When Words Collide… which is work but also isn’t :-p
  • Write the first draft of Deadmonton (My Winterknight Towers book), beginning in November and using NaNoWriMo as a springboard to get started
  • Hire an editor for Shadows and prep it for release
  • Host a December blog tour to celebrate the holidays and benefit the food bank.

I’ve also got several projects that are pending or in limbo right now including a brand new anthology series (Keep your fingers crossed for this one, especially!), three stand-alone anthologies I’d be co-editing (with three different people) and two collaborative poetry projects. I’ve deliberately built some empty spaces into my project calendar for the year to address these projects. Also, you just never know when I’m going to be distracted by something shiny and need to take a little detour for a while 😉

Scarecrow Contributor Interview: Jane Yolen

Scarecrow Blog Tour

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with the amazing Jane Yolen. I was honoured to include poems by Jane in both Corvidae and Scarecrow and you can check out her Corvidae contributor interview here.

Interview with Jane Yolen


There’s a Japanese God who is represented as a scarecrow. It is all-knowing but cannot move. If you could know any one thing, what would it be? 
All the poems of Emily Dickinson so I could tell myself one a day while hanging on my pole. 1800 poems, 1800 days.

If you were a scarecrow, what would you look like? What would you be stuffed with? Skinnier than now, stuffed with leaves from old books.

Do you think you’d make a good scarecrow? Why? No—I have little patience.

What is it about scarecrows that inspired you to write about them? Crows.

You have work in both anthologies, which came first? The corvid or the scarecrow? Corvid first.

As you may know, one of Edmonton’s local Twitter personalities is Magnus E. Magpie who haunts Twitter as @YEGMagpie. I invited him to read an advance copy of Corvidae and Scarecrow and offer a short cawmentary on each story from a magpie’s point of view, which he did. When he was finished I asked if there was anything he’d like to ask the contributors. The italicized portions are mine because Magnus didn’t ask straight-forward questions on account of he’s a magpie 🙂

Mr. Yegpie: I think I would like to know what people’s favourite corvid is though; and if it isn’t a magpie, WHYEVER NOT?!? (If they come back with some guff about crows using tools, PLEASE LET ME KNOW AND I WILL SEND THEM A COPY OF MY ROGERS BILL. Pffft, crows.) (What is your favourite corvid?Sorry—but it’s crows for me. Though I love the look of magpies strutting across my Scottish lawn.

JaneJane Yolen, often called “the Hans Christian Andersen of America”(Newsweek) is the author of well over 350 books, including OWL MOON, THE DEVIL’S ARITHMETIC, and HOW DO DINOSAURS SAY GOODNIGHT. Her books and stories have won an assortment of awards–two Nebulas, a World Fantasy Award, a Caldecott, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award, among many others. She has been nominated three times for the Pushcart Prize in Poetry. She is also the winner (for body of work) of the World Fantasy Assn. Lifetime Achievement Award, Science Fiction Poetry Association Grand Master Award, Catholic Library’s Regina Medal, Kerlan Medal from the University of Minnesota, the du Grummond Medal from Un. of Southern Missisippi, the Smith College Alumnae Medal, and New England Pubic Radio Arts and Humanities Award . Six colleges and universities have given her honorary doctorates. Her website is: www.janeyolen.com

Scarecrow edited by Rhonda Parrish

Amazon: (CA) (UK) (US)
Kobo: (CA) (US)
Direct From the Publisher: World Weaver Press

LetterMo 2016

I was going to skip LetterMo again this year, but then I saw Amber Stults posting about it and I thought of this:

l-220239

Right now? I am definitely too busy, and writing letters is pretty much like meditation to me, so I’m going to give it a shot.

I’m also going to cheat as necessary by counting packages of Writing is a Team Sport buttons as letters.

If you’d like a letter drop me a line with your snail mail address (even if you think I already have it*). If you are also doing LetterMo and need someone to write to, drop me a line, I’ll send you my address (and promise to reply to every letter I receive).

LetterMo 2016

*Treena, Beth and Amber, you are exempt from this. I owe you letters already :-p

Tangent Online 2015 Recommended Reading List

Scarecrow edited by Rhonda Parrish

I keep forgetting to share this so the news is a little less than fresh right now, but it’s still fabulous. Every year Tangent Online puts together a recommended reading list and Corvidae and Scarecrow are all over the 2015 list. You can see the entire list by clicking here (there is a rather long essay at the top of the page, the listings come right after it). The tl;dr version, however, is that there are 13 Corvidae stories and 11 Scarecrow stories on the list. Whoot!

Corvidae & Scarecrow stories on the Tangent Online 2015 Recommended Reading List:

“Raven No More” by Adria Laycraft (Corvidae)
“Bazyli Conjures a Blackbird” by Mark Rapacz (Corvidae)
“Black Birds” by Laura Blackwood (Scarecrow)

One Star:
“Visiting Hours” by Michael S. Pack (Corvidae)
“The Rookery of Sainte-Mère-Église” by Tim Deal (Corvidae)
“The Cruelest Team Will Win” by Mike Allen (Corvidae)
“Knife Collection, Blood Museum, Birds” by Sara Pul (Corvidae)
“Flying the Coop” by M.L.D. Curelas (Corvidae)
“Seven for a Secret” by Megan Engelhardt (Corvidae)
“The Roofnight” by Amanda C. Davis (Scarecrow)
“A Fist Full of Straw” by Kristina Wojtaszek (Scarecrow)
“Scarecrow Progressions (Rubber Duck Remix)” by Sara Puls (Scarecrow)
“Truth About Crows” by Craig Pay (Scarecrow)

Two Stars
“Whistles & Trills” by Kate Otis (Corvidae)
“The Valravn” by Megan Fennell (Corvidae)
“A Mischief of Seven” by Leslie Van Zwol (Corvidae)
“The Straw Samurai” by Andrew Bud Adams (Scarecrow)
“Edith and I” by Virginia Carraway Stark (Scarecrow)

Three Stars
“Sanctuary” by Laura VanArendonk Baugh (Corvidae)
“Flight” by Angela Slatter (Corvidae)
“Only the Land Remembers” by Amanda Block (Scarecrow)
”If I Only Had an Autogenic Cognitive Decision Matrix” by Scott Burtness (Scarecrow)
“Judge & Jury” by Laura VanArendonk Baugh (Scarecrow)
“Kakashi & Crow” by Megan Fennell (Scarecrow)

And I’m just going to go ahead and say that even the stories from Corvidae and Scarecrow which didn’t make this list are definitely recommended reading. Because they are all awesome 🙂

Cover for CORVIDAE. Design by Eileen Wiedbrauk

Related: Fae rocks the 2014 Tangent Online Recommended Reading List

 

10 Things I’ve Learned Along the Way

Writing is a Team SportIn the spirit of writing being a team sport (get your buttons now! :-p) I wanted to open up my blog to more guest posts about things which might interest my readers. It’s a win/win situation, really. The guest blogger gets to increase their signal, my readers get to read something cool and I get content I didn’t have to write. So… I guess that’s a win/win/win situation really 🙂

I’ll be posting some guideline-type things and information about to snag a guest blogging spot here in the near future, but for now if you’re interested hit me up on social media or via email. Like Tabitha did 🙂 She contacted me on Twitter and boom, bang, just like that I’ve got a great blog post, written by her, ready to share with you. Check this out:

10 Things I’ve Learned Along the Way

by Tabitha Lord

There’s a lot of advice out there for writers. I spend a considerable amount of time during my workweek reading articles and blog posts on everything from marketing strategies to writing craft. Much of it is helpful. Some doesn’t resonate at all. But I do believe it’s dispensed with a generosity of spirit and a desire to be helpful that is characteristic of the writing community. So with that in mind, I’ve created my own list of (hopefully) helpful tips for writers new to the job. Here goes…

1. A completed manuscript is a draft. It isn’t even close to the finished product!

Typing the last word on the last page of my first novel was one of most satisfying things I’d ever done. Writing a book had been on my bucket list of personal and professional accomplishments for years, and when it was finally finished, I was giddy. But, wow, I look at that manuscript now and cringe! Clunky writing, character issues, and loads of info dumping littered my pages.

The thing is, that’s okay. That’s a first draft! But thinking the first draft is ready for the world to embrace, well, that’s a rookie mistake. Don’t get me wrong; completing a first draft is an accomplishment of epic proportions! Celebrate! Rejoice! And then proceed to edit!

2. Beta readers are critical.

Beta readers see things in our manuscript that we don’t because we know our story so intimately. With my first book, for example, some of my beta readers had a problem with the male protagonist. They didn’t like him at all! I had to figure out what they were seeing in him that I wasn’t. In my mind, he was in his early twenties. But once the plot got moving, he needed to make decisions and have a certain authority in his own world that required him to be older and have more experience. The character I had written was still too arrogant and immature to be the hero I needed him to be, and I think this is what my readers recognized. So I did a major edit of his scenes, attempting to keep the essence of his character, but giving him more depth and maturity.

3. Rejections, and lots of them, are part of the deal.

The first time someone said “no thank you” to my manuscript was the worst! But the thing about rejections, once you recover from the sting, is that they can sometimes be helpful. If your manuscript isn’t polished enough, you may need to work with an editor. If the story isn’t pulling people in quickly, you may need to spice up your opening chapters. Usually there is a common thread, and if you are open to hearing it, you can make adjustments and move forward. My first round of rejections, which included one R&R (rewrite and resubmit), suggested that I had a good story, but the manuscript needed more work. I hired an editor, and after months of rewriting, I had a much-improved draft.

4. Everything takes longer than you think in the publishing world.

If you take the traditional publishing route, some of the timeline is out of your control. Acquiring an agent, sending a project out on submission, negotiating a contract, and proceeding to production all take time (think years). If you are independently publishing, it is on you, the writer, to manage the timeline. But either way, a quality product takes time! It took me three and a half years to bring my first book to print, and that’s considered quick. But I’ve learned you can’t rush the process. I wanted a finished product I could be proud of, and it required a lot of time and effort to make that happen.

5. Independent publishing means starting and running your own small business. It’s a viable option – for the right reasons.

I think there are compelling reasons to self-publish. But if you choose this path, it’s an investment. You are essentially starting a small business and you have to treat it as such to be successful. First and foremost your product has to be good, and you have to be willing to put in the time, energy, and funds to make it so. You also have to build an audience, and then promote and market yourself, or be willing to hire others to help you do it. You have to take ownership of it all. For some writer’s, this is exciting. For others, it’s terrifying.

6. Good editing and good cover art are a must.

The first thing a reader sees is the book cover. An eye-catching cover can mean the difference between a potential reader flipping to the back cover blurb, or waking away without a second glance. Likewise, a really good editor offers just the right cues to improve the story. My editor found those places where my characters or plot weren’t working and prompted me to fix them without imposing a solution. I can’t stress enough how important these things are when bringing a book to life.

7. Don’t read the negative reviews!

People like different things. Not everyone is going to like my story. Logically, I understand this, but it still hurts to have my book baby slammed in writing! Early on I received very solid advice: Don’t read the negative reviews. Once the book is out in the world, the time for helpful critiquing is over.

8. Creating balance in my work life is more challenging than I thought.

Two years ago I left a job I loved to do something I loved more – write. Turns out, even though writing is now my full-time work, there still aren’t enough hours in the day! I struggle to balance writing creatively (making up the new stuff), with promoting my existing book, networking, blogging, editing, etc. And there is still a household to maintain!
When I was working full-time outside my home, I made time to write and I protected that time fiercely. Now, other things weave their way into my day and cut into that valuable time. It requires real discipline to stay productive.

9. Writers are wonderfully supportive of other writers.

I love the network of writers that surrounds me. I’ve met lifelong friends at conferences and received valuable advice and guidance from the writing group I belong to. Writers want other writers to be successful, and this sentiment is pervasive and authentic.

10. Go with your gut. There will be decisions to make, and once you’ve done your research, it may come down to trusting your instincts.

There are a lot of resources and good advice for writers out there. Not all of it applies to every person or every project. Whether the advice is about your daily word count or the best path to publishing, there is no one right way. I do my research, ask people I trust who are industry professionals – or who at least have more experience than I do, and then I weigh their information against my own instincts and go with my gut!

~*~

tlj_110714_0134Tabitha currently lives in Rhode Island, a few towns away from where she grew up. She is married, has four great kids, a spoiled Ragdoll cat, and lovable black lab. The house is noisy and the dinner table full! She holds a degree in Classics from College of the Holy Cross and taught Latin for years at a small, independent Waldorf school. She also worked in the admissions office there before turning her attention to full-time writing.

You can visit her author blog at www.tabithalordauthor.com where she hosts guest bloggers and discusses favorite topics including parenting, and follow her on www.bookclubbabble.com where, as a contributing writer, she posts author interviews, reviews, and more. She released her first novel, Horizon, on December 1, 2015.

C is for Chimera Cover Reveal

Earlier this month I sent three potential cover images out to the members of my newsletter and asked them to choose which one would be the cover. The response was overwhelming and the winner, with 75% of the vote is…

Cover art and design by Jonathan C. Parrish

This installment of Rhonda Parrish’s alphabet anthology series asks skilled storytellers to write around the theme of chimera. The resulting tales are part fable, part poem, part dream. But like any chimera, the parts make up a greater whole.

Blend reality with fantasy. Mesh science fiction with mystery. Mix history with what should have been. They are all chimera.

A shadow tells a tale of schoolyard bullies. A long-vanished monster returns from the cold dark. Make-up makes up a life. Alchemy, Atlantis, and apocalypse. These 26 tales bring both chaos and closure to dark and elusively fantastic geographies.

Contributing authors include:

~ Alexandra Seidel ~ KV Taylor ~ Marge Simon ~ Pete Aldin ~ Michael M. Jones ~ Simon Kewin ~ BD Wilson ~ Gabrielle Harbowy ~ Sara Cleto ~ Megan Engelhardt ~ Michael Fosburg ~ Megan Arkenberg ~ Lilah Wild ~ Laura VanArendonk Baugh ~ Milo James Fowler ~ Brittany Warman ~ Michael B. Tager ~ L.S. Johnson ~ Beth Cato ~ C.S. MacCath ~ Sammantha Kymmell-Harvey ~ Steve Bornstein ~ Suzanne van Rooyen ~ Michael Kellar ~ Jonathan C. Parrish ~ Amanda C. Davis ~

Coming April 19th!

 

If you just can’t wait to get your hands on a copy, enter to win an ARC at Goodreads!

Goodreads Book Giveaway

C is for Chimera by Rhonda Parrish

C is for Chimera

by Rhonda Parrish

Giveaway ends February 29, 2016.

See the giveaway details
at Goodreads.

Enter Giveaway

 

I write, I edit and I take a lot of naps.

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