Menagerie-related News

I nicked this from Kate Wolford at http://www.fairytalemagazine.com/

It’s Friday, and around here that usually means it’s Fractured Friday but we’re going to skip that this week because I have several bits of interesting Magical Menagerie-related news to share.

We’re going to have a Facebook party on Tuesday to celebrate CORVIDAE and SCARECROW. You can join myself, my publisher and several of our contributors while we hang out, talk about the anthologies and also all things corvid and scarecrow. It will be super fun and casual… oh, and there will be giveaways as well 🙂 The party is scheduled for 5 – 8pm Mountain Time and Facebook will happily convert that to your own time zone. I hope to ‘see’ you there!

Also, Kate Wolford from Enchanted Conversation is giving away three e-books. You may have heard of them, their titles are FAE, CORVIDAE and SCARECROW. It’s super easy to enter (you just have to guess a number) but entries close on September 26th so be sure and get yours in before it’s too late — Three E-Book Giveaway.

Oh, and the image at the top of this blog post? I nicked it from Kate, so thank you Kate!

Finally, Edmonton writer and blogger Hal J. Friesen is interviewing some of the contributors to Corvidae and Scarecrow. He interviewed Laura VanArendonk Baugh at the beginning of the month about her stories and animal training and then just today he shared his interview with Kat Otis about her story (which re-imagines WWII with magical creatures like corvids, frost giants and sea serpents added into the mix) and also about flying.

Check out the interviews and the giveaway and I hope to see you at our Facebook party on Tuesday! 🙂

A Quick Word About Live Action Slush

I meant to write a nice, long, detailed post about this year’s When Words Collide when I got home from it with a nice, long, detailed section about Live Action Slush. But then I got home and there were deadlines growling and snapping at me, and summer days to enjoy, and people to follow up with and, well, basically life totally got in the way and now I’ve had to accept the fact that nice, long, detailed post which totally existed in my imagination is just not going to happen.

Which is kinda sad because my imaginary blog post was pretty epic. Almost as epic as When Words Collide, in fact.

*le sigh*

Anyway, even though that amazing blog post isn’t going to happen I do want talk really briefly about Live Action Slush. No really, this is going to be pretty short, I promise.

Live Action Slush, for those who aren’t familiar, is a panel where people anonymously submit the first pages of their manuscripts to be read out loud to a room full of strangers. Oh, and also? Four of those strangers are editor-types sitting at a table with microphones. When an editor hears something that would make them stop reading if the story were submitted to them they raise their hand. Once three of the four editors have put their hands up the reader stops and the editor-types discuss what they heard and offer feedback.

Live Action Slush panels are awesome, I love them and I hope my feedback on them is helpful, but they are not like reading slush. When I’m actually reading slush I’m reading it rather than listening to it, I don’t have three other editors reading it with me, or an audience, or the awareness that the writer is in the room watching me. I put a lot of pressure on myself to try to be helpful at LAS, and if not helpful at least not hurtful.

That being said there are two points I want to make about Live Action Slush.

One — It takes a lot of guts to subject yourself to that. For realz. I have been writing and submitting my work for a long time now and I feel like I have a pretty thick skin and a healthy sense of separation between my work and myself, and I would still have a tough freaking time sitting in a room while four people discussed my story. A very tough time. If I wore a hat I would tip it to every single person who ever submits their work to a live action slush. You rock.

Hopefully the feedback you hear about your story is helpful but the value of LAS goes beyond that because other people can learn things from listening to the discussion about your work too. So even more than (hopefully) getting some feedback to help yourself, you are also helping other people as well.

Did I mention that you rock? You do.

Two — With very few exceptions when I put up my hand during a LAS panel is not where I’d stop reading, it’s when I would start making notes or start skim reading. I did three Live Action Slush panels at WWC this year and heard a total of three stories that I actually would have stopped reading completely before the first page was done. And for one of those three manuscripts the reason I would have stopped was because it was a sub-genre I don’t deal with. I mention this each time I do a panel but I’m not sure that I emphasize it enough.

Putting up my hand when I’d start taking notes or skimming rather than when I would actually stop reading means it coincides with when I have the first constructive feedback to offer the author and also marks the shift when I turn from ‘Reader’ into ‘Editor’ (you want to keep me fully engaged with your story as a reader for as long as you possibly can).

Given how much bravery goes into submitting your work to be read, I’m not sure I’m doing the right thing. It must really really suck to sit in the audience listening to your work get read and watch an editor’s hand go up.

Moving forward I’m going to make two changes. First, if I have the pleasure of sitting on any more Live Action Slush panels, I’m going to be slower to put my hand up. I don’t think I can promise to put it up only when I would actually stop reading but I can definitely allow for a larger margin for error than I had been. Second, I’m going to start submitting my work to be read at Live Action Slush panels. It only seems fair, really, that I sit on both sides of the microphone.

One other quick note? I mentioned this on social media but in case you didn’t see it–if your work was read at a Live Action Slush panel I was on and I put up my hand, I am willing to take a look at your revised first page and offer feedback on it. I can only look at first pages but if you’d like send it my way rhonda.l.parrish@gmail.com

I also welcome your comments about Live Action Slush. Have you attended them? Been on the panels? Have they mostly been a positive experience for you or not so much?

 

Fractured Friday: Beth Cato

Cover design by Jonathan C. Parrish, original artwork by Tory HokeFor the next several weeks I’ve decided to call Fridays ‘Fractured Friday’ and use them to share news, contributor interviews and excerpts from B is for Broken.

B is for Broken is the second title in the Alphabet Anthologies series. It follows A is for Apocalypse and will in turn be followed by C is for Chimera.

B is for Broken contains 26 stories (one for each letter of the alphabet) centered on the theme of brokenness. The diversity of genres and subject matter will blow you away. We’ve got science fiction, fantasy, horror and weird fiction about broken hearts, broken space ships, broken lives, broken bones–you name it. If you like speculative fiction and short stories, this collection is one you’re going to want to check out 🙂


I feel like I’ve known Beth for forever, but it hasn’t been *quite* that long. We met way back when in a Livejournal (I told you it was a long time ago) group for NaNoWriMo participants. I didn’t get to sample her writing until she submitted to Niteblade though. Her post-apocalyptic flash, The Pacifier, is still one of my all-time favourite stories Niteblade published. You should go read it. No really. I’ll wait.

Done?

Awesome, right?

So you won’t be surprised to learn I invited her to contribute to A is for Apocalypse. Nor should there be any question about why she has a spot in B is for Broken as well (and wait until you read her C is for Chimera story!)

 

 

Interview With Beth Cato

What letter were you assigned? K

Please share a short excerpt from your story: 

The man on the rock looks up at us. His face so sad, emotion sharp, like a slap to the face. Tommy grunted like it hit him, too.

“Tommy Smith. George Blackworth.” He says my name and I feel it in my bones, like my mother, God rest her, yelling out the back door.

“Who’re you?” I ask.

“Who am I?” He stares at his hands. “A king without a queen, proof that the undying are not immortal.”

What is the thing you’ve most regretted breaking? My cat Porom is the laziest cat ever. A few years ago, I was closing a door. Porom had flopped down in front of it and it was dark, so I couldn’t see her tail. The door actually amputated the tip of it. I was freaked out. We were able to get her to an emergency vet, where she had  a cleaner amputation made. She had a full recovery, or I don’t know if I could have forgiven myself.

Have you ever broken something and not been saddened by it? Can you tell us about that? I had a sculpture I made during my freshman year of high school. It was a mythological creature of my own making, a threem (which is actually included in my Clockwork Dagger books from Harper Voyager). A few years ago parents were encouraging me to get the last of my belongings out of their house. I didn’t want this sculpture. I always hated how it turned out, and it was made during a time of my life when I was severely depressed and suicidal.

Instead of toting the big clay figure back to Arizona, I wrapped it in several layers of plastic bags and then pulverized it with a piece of rebar. It was all rather therapeutic.

If you could break one law and get away with it consequence-free, what would it be? I’ll twist this around. I wish I could turn in negligent speeders on the highway and see THEM punished. I drive like an old lady and go the speed limit.

Do you have any rules for yourself, a code of some sort, which you’d never break? Yes. Treat others the way I would like to be treated. That means to be courteous, thoughtful, and not an inconvenience.

Never ever? I do my utmost!

Really? Isn’t there something which could make you break it? Okay, there was one time a survey guy called at 8:30pm and when I politely told him the late time was inappropriate, he argued with me. It actually developed into a yelling match. The company actually sent me a postcard asking me to give them another chance–which was a whole other level of freaky. When they had other people call, I flat out told them I would never, ever deal with them, and hung up.

Did you struggle with the letter you were assigned, or did the ideas come freely? I had another idea that I started on but it just didn’t come together.

What was your favourite idea you didn’t use? The original idea was “King’s Horses and Men,” and to do a fresh take on Humpty Dumpty. I know. A story about a sentient egg. Maybe someday?

What, aside from the anthology’s theme and your letter inspired your story? It wasn’t a conscious influence as I wrote, but in hindsight I think the movie Bedknobs & Broomsticks played a part as well. I always adored that movie and the idea of magic being used for the war effort. This is just a different take.

 


Beth Cato -- photograph by Corey Ralston Photography

Beth Cato hails from Hanford, California, but currently writes and bakes cookies in a lair west of Phoenix, Arizona. She shares the household with a hockey-loving husband, a numbers-obsessed son, and a cat the size of a canned ham.

She’s the author of The Clockwork Dagger steampunk fantasy series from Harper Voyager. The newest book is The Clockwork Crown.

Follow her at BethCato.com and on Twitter at @BethCato.

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B is for Broken is available now at:
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And add it to your shelves at Goodreads

Interview with Anna Kyle

My friend, Anna Kyle, recently released her very first book–a paranormal romance entitled Skye Falling. It’s the first in a series and I’m almost as excited for her as she is for herself, so I asked her if I could interview her about it for my blog. She said yes 🙂

First, a little bit about her book:

Skye Falling

Skye, a Fae-shapeshifter halfing, could die if she doesn’t find out how to wake her dormant wolf, so mere rumors of the Wolf King’s return are enough to convince her to sneak through the portal between Faerie and Chicago in search of his aid. But the dizzyingly bright lights and sounds of the human realm are too tempting to ignore. So is the sexy shapeshifter wolf intent on capturing her—the one who stirs her sleeping wolf just long enough to bind the handsome stranger in a mate-bond.

Lake is willing to do anything to protect the Wolf King, a man he also calls friend. So when he receives word that a Fae princess has slipped into Chicago, he suspects a plot to assassinate the Wolf King. He’s certain capturing her will be as easy as locating her—that was his first mistake. Not only is his wolf a little too interested in Skye, but the wolf accepts her mate-bond without any say-so from him. As he unravels the truth surrounding the smart-mouthed princess and whether she’s hunting his friend or being hunted by someone else, Lake’s mission changes: protect Skye at all costs. And keep her for himself.

Interview with Anna Kyle

What has been your favourite part of the publication process so far? What has been the most difficult?

It’s like a climbing a mountain and every stop becomes the highest you’ve ever gone. The acceptance email was my favorite until I got the editing letter. Having someone as invested as me in making the story the best it could be was just…wow. That was replaced by the line edits which was then replaced by actual publication. All new highs. The most difficult part was the waiting. Everything would be quiet on the Midwestern front then suddenly there’d be a flurry of emails needing this or that like ASAP. Then another lull of waiting. Now I know, so I won’t be so antsy for the next one!

What is it about shapeshifters that makes you want to write about them?

I’m a huge reader across all genres but the first time I picked up a paranormal romance I was hooked. I remember it vividly. It was a book by Christina Dodd called The Scent of Darkness about a family of shapeshifters. I read it from start to finish then read the entire series and never looked back. I loved the idea of two forces inside one person, and those forces don’t always align and how that affected the relationships of those around them. It fascinates me to this very day.

How about the Wolf King series in general? I know everyone asks but I’m curious, what inspired you to write it?

Well, I had some unexpected time on my hands and I’d had this story idea banging around in my head for a while, so I let it out  After a few months it became apparent that my paranormal romance couldn’t be wrapped up in one book and truth be told, I didn’t want it to be wrapped up. I created this world filled with shapeshifters and magic and Fae and kings and sprinkled it with battles and romance and humor. I’m lucky to be able to stay there for a few more books to explore the good versus evil storyline…and to discover more heroes and heroines to throw together!

In Skye Falling we see wolves and coyote shapeshifters–are there other kinds of shifters out in the world waiting for us to discover in future works?

Let’s see. There’s more wolves and coyotes in the next book, a grizzly bear, some black bears, a tiger, a bobcat who likes to blow things up, and a hyena who scares the heck out of the grizzly. Since the book is set on a horse farm, there are lots of horses and dogs, too (the regular variety).

In Skye Falling it seems very important that mate bonding is a thing which stopped happening for a long time and now appears to be re-occurring. Why did mate bonding stop in the first place?

Yes, the return of the mate-bond is very significant to the Wolf King series. But to say any more would be spoiler-y so

I’m a pretty big fan of Alton Tremont. Any chance we’re going to get to read a story starring him?

Me, too! He has a larger role in Omega Rising. And YES he’ll have his own book later!

If Skye could change any one thing about Lake what, if anything, would it be? What would Lake choose to change about Skye?

Skye is free-spirited and impulsive which is very different from Lake’s more subdued, orderly personality. He thinks before he acts, she leaps without looking. I don’t think they’d change anything about each other because those differences are what the other truly needed (but didn’t know it).

What is your favourite thing about Skye? What about Lake? What about Skye and Lake as a couple?

Skye is awesome. She’s funny and smart and always trying to outwit her opponent. That fact that she’s not very good at acting (or keeping the Fae mask on) makes me love her even more. Lake, well, I just plain adore him. He’s a smoking hot wolf completely unprepared for the whirlwind that is Princess Skye, so I love the way he adapts and accepts her but doesn’t let her pull any of her sh*t, either. I can’t imagine them with anyone but each other, so that’s a darn good team. Five stars as a couple! 

What’s next for you?

I’ve got line edits coming up on Omega Rising and in the meantime I’ll be outlining then writing book 3 of the Wolf King series. Whoohoo! I hope to throw in a short story or two when book 3 gets grumpy with me. Yeah, I can do a lot of damage to my free time but it’s FUN.

 

Skye Falling is available now!

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Corvidae Contributor Interview — C.S.E. Cooney

CORVIDAE blog tour banner

Over the coming weeks I’d like to share interviews that I (and Magnus) conducted with the contributors to Corvidae and Scarecrow. This week we’ll talk with C.S.E. Cooney. Much like Angela Slatter, C.S.E. Cooney never actually submitted to Corvidae, but when I read her poem I really wanted to include it in Corvidae. I’m so glad I was able to 🙂

Interview with C.S.E Cooney

What is it about corvids that inspired you to write about them? Oh, I like birds. I don’t like them as pets. I like them as dinosaurs. They’re bright-eyed and frightening. I like people who behave like predator birds. But I only like them sometimes. Poets are good at this; poets often behave like predator birds, and that makes me want to write poetry about them. Dominik Parisien is one such poet, and this poem was for him.

Was there one corvid characteristic you wanted to highlight more than others? Curiosity and a trickster nature.

If you were a covid, what would you build your nest out of? Ribbons and stolen curls, tarnished rings, feathers stolen from the fletching of fallen arrows.

What’s your favourite ‘shiny’ thing? Most recently? A mask made all of rhinestones.

~*~

C.S.E. Cooney is a Rhode Island writer who lives across the street from a Victorian Strolling Park. She is the author of The Breaker Queen and The Two Paupers (Books One and Two of the Dark Breakers Trilogy), The Witch in the Almond Tree, How To Flirt in Faerieland and Other Wild Rhymes, and Jack o’ the Hills. She won the 2011 Rhysling Award for her story-poem “The Sea King’s Second Bride.”

Other examples of her work can be found in Rich Horton’s Years Best Science Fiction and Fantasy (2011, 2012, 2014), The Nebula Awards Showcase (2013), The Mammoth Book of Steampunk Adventures (2014), The Moment of Change Anthology, Black Gate Magazine, Uncanny Magazine, Strange Horizons, Apex, Subterranean, Ideomancer, Clockwork Phoenix, Steam-Powered II, The Book of Dead Things, Cabinet des Fées, Stone Telling, Goblin Fruit, and Mythic Delirium.

Her website is http://csecooney.com/

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Cover for CORVIDAE. Design by Eileen Wiedbrauk

Available Direct from the Publisher:
World Weaver Press

Or Find it Online:
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Fractured Friday: Alexis A. Hunter

Cover design by Jonathan C. Parrish, original artwork by Tory HokeFor the next several weeks I’ve decided to call Fridays ‘Fractured Friday’ and use them to share news, contributor interviews and excerpts from B is for Broken.

B is for Broken is the second title in the Alphabet Anthologies series. It follows A is for Apocalypse and will in turn be followed by C is for Chimera.

B is for Broken contains 26 stories (one for each letter of the alphabet) centered on the theme of brokenness. The diversity of genres and subject matter will blow you away. We’ve got science fiction, fantasy, horror and weird fiction about broken hearts, broken space ships, broken lives, broken bones–you name it. If you like speculative fiction and short stories, this collection is one you’re going to want to check out 🙂

 


 

I met Alexis when she submitted a story to Niteblade. I accepted that story (Dragons of Fire) and that might have been the end of it, except that not long after Alexis volunteered to fill an empty slush reader position at Niteblade so I got to work with her further. And I’m exceptionally glad I did (and not just because she and Samantha Kymmell-Harvey were the pair of slush readers who worked the best together and practically did my job for me… though that helps).

I’m proud to include Alexis’ stories in both A is for Apocalypse and B is for Broken 🙂

Interview With Alexis A. Hunter

What letter were you assigned? N

Please share a short excerpt from your story:

Elise felt naked without the patterns on her skin. She couldn’t stand the idea of sleeping in her own bed tonight. The dark sigils brought a squirmy warmth to her stomach—a sort of unease, coupled with a thrill.

Mama said the negatives were evil—the magic of violence. Elise found herself staring at them. Their lines and edges were sharp, geometric, sometimes jagged. She didn’t know each sigil’s exact meaning, but she felt their intent: violence, harm, anger. They shimmered close, begging her to use them, oddly sharper and clearer than any sigil she’d seen in her magick before.

Instinctively, she trailed her fingers over her heart, reaching for the pattern of sleep. A thick sleep, a sleep that the dark shapes couldn’t disturb. But that comfort was gone.

What is the thing you’ve most regretted breaking? If we’re gonna get all deep and painful here, I’ll go ahead and say my faith. I broke it, I let it break—either way, it shattered and I’m still trying to pull the shards out of me. How’s that for morbid? 😉

Have you ever broken something and not been saddened by it? Can you tell us about that? There wasn’t actually “breaking” involved, but one day in a fit of teenage angst I burned a lot of photos and mementos related to a boy I thought I loved. Looking back the whole thing seems silly, but at the time it consumed my world. Burning the physical effects like that helped somehow.

If you could break one law and get away with it consequence-free, what would it be? That’s a tough one for me. I’m all about following the rules (laws). I…honestly can’t think of a law I would break!

Do you have any rules for yourself, a code of some sort, which you’d never break? I’m still sort of reassembling my moral code now that I’ve left behind most of my faith. Ask me again in a year (and I probably still won’t have an answer, haha)!

Did you struggle with the letter you were assigned, or did the ideas come freely? I struggled a little, but not too much thankfully. I first had ‘N is for Neighbor’—an element which still plays a pretty big role in my story—but ended up changing it to the more important N of the story.

Additionally, at first I took the theme of broken to be about ‘breaking a spell’. I may have only felt it in the actual drafting stage, but at some part the theme of ‘Broken’ came to mean more to me, more to Elise as something broke in her in the end of the story. Similarly to my broken faith, there are some things you can’t put back together and usually those are the things that you break inside yourself.

What, aside from the anthology’s theme and your letter inspired your story? The entire magic system in this story was probably my favorite part to brainstorm—it came about after seeing some gorgeous chalk art on Pinterest. There’s something lovely to me about the idea of tactile magic—drawn and redrawn daily. From there came the ideas for the bandoleer (such a tiny detail, but it thrills me for some reason) and the focusing of magic by painting it on skin.


Alexis A. Hunter

Alexis A. Hunter revels in the endless possibilities of speculative fiction. Over fifty of her short stories have appeared recently in Shimmer, Cricket Magazine, Flash Fiction Online, and more. To learn more, visit www.alexisahunter.com.

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B is for Broken is available now at:
Smashwords
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Amazon
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And add it to your shelves at Goodreads

P.S. A is for Apocalypse is still on sale for less than a buck until Monday!

A is for Apocalypse for $0.99!

A is for Apocalypse edited by Rhonda Parrish, cover design by Jonathan Parrish

I thought an end of summer/end of the world sale would be fun so from right now until August 31st you can pick up a copy of A is for Apocalypse for less than a dollar. Depending on where you shop you can get it for as low as $0.75 because the exchange rate is freaking crazy right now.

Don’t miss this opportunity, get your copy of A is for Apocalypse now!

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Ahem. Sorry for shouting, but I’m offering you 300 pages of awesome apocalyptic stories for less than a dollar and the sale ends in a week. You don’t want to miss out.

Fractured Friday: Samantha Kymmell-Harvey

B is for Broken. Cover design by Jonathan C. Parrish, original artwork by Tory Hoke

For the next several weeks I’ve decided to call Fridays ‘Fractured Friday’ and use them to share news, contributor interviews and excerpts from B is for Broken.

B is for Broken is the second title in the Alphabet Anthologies series. It follows A is for Apocalypse and will in turn be followed by C is for Chimera. Each story in the series is associated with a letter of the alphabet and is titled in the letter is for word format. What’s more, just to keep things nice and complicated, the story’s title isn’t shared at the beginning but at the end so that you can guess at what it might be while you read.

On that note, even though the story titles could be considered spoilers because of how the book is formatted, for the sake of simplicity if the author has chosen to post their title publicly somewhere else (their blog, Facebook, wherever) I am going to include it in my posts. If they haven’t revealed that information, though, I’ll list the story titles as Letter is for…

I met Samantha when she volunteered to be a slush reader for Niteblade. She had an uncanny knack for knowing which stories I’d want to read and consider and which I would end up passing on. That, combined with her insights into what worked (or didn’t) in a story made her contributions invaluable and told me I really needed to read her fiction. Once I had, inviting her to participate in the Alphabet Anthologies was a no-brainer 🙂

Interview With Samantha Kymmell-Harvey

What letter were you assigned? E

What is the thing you’ve most regretted breaking? My Dutch great-grandmother’s spinning wheel. I was a kid, I knocked it over and it busted. Because it’s so old, it would take some sort of antiques specialist to repair it. Now that I knit, I appreciate that spinning wheel so much more – and feel the regret all that much more too.

Have you ever broken something and not been saddened by it? Can you tell us about that? Well, a friend and I broke into her own house because she couldn’t find her keys and we were sopping wet from going to the swimming pool and needed to change into dry clothes. The extent of our “breaking in” was just lifting an unlocked window pane on the 1st floor, so nothing super crazy! This is probably a very boring answer.

If you could break one law and get away with it consequence-free, what would it be? Probably the law about importing/shipping wine. This might be a law particular to the State where I live, I’m not really sure. When I lived in France, I had the most amazing wines, some from tiny little vineyards. You can’t buy them anywhere in the States, so I miss them. It’d be great if I could just order them online.

Do you have any rules for yourself, a code of some sort, which you’d never break? I try to lead my life in a moral manner.

Never ever? No.

Really? Isn’t there something which could make you break it? Maybe if I had been brainwashed or placed under alien control (??)

Did you struggle with the letter you were assigned, or did the ideas come freely? Because “broken” can be interpreted in so many different ways, I had a ton of ideas so it was hard to narrow it down. Even as I went through the editing phases, I found that I had 2 stories within a story, so I had to focus even more on what exactly I meant by “broken.”

What was your favourite idea you didn’t use? I’m using a version of it for the next anthology – no spoilers!

What, aside from the anthology’s theme and your letter inspired your story? This story had two sources of inspiration: my great dislike of law school and my three times (at random!) being pulled up onstage as a magician’s assistant, which was totally embarrassing.

 


 

Samantha Kymmell-Harvey‘s stories can be found in Spark: A Creative Anthology, Every Day Fiction, and Waylines just to name a few. She is a 2012 graduate of the Odyssey Writing Workshop. You can follow her adventures on her blog: http://samanthakymmell-harvey.blogspot.com/

B is for Broken is available now at:
Smashwords
Kobo
Amazon
Barnes and Noble

And add it to your shelves at Goodreads

Call For Submissions: SIRENS

SIRENS submissions banner 2

[Call for Submissions] Sirens

Publisher: World Weaver Press

Greek mythology describes the Sirens as being charismatic monsters; part bird, part woman, with enchanting voices whose songs either lure men to, or foretell, their deaths. In Roman mythology they play a similar role but shift their domain to the sea and take the form of mermaid-like creatures. Mythological Sirens such as these come with a capital ess; there are only a small number of them, they have names, Godly parents and occupations. Those Sirens are welcome within the pages of this anthology, but so are their lower case sisters.

In Sirens, we will honor and share stories of historical Sirens, but we’ve equal room for modern re-imaginings and will be giving matching space to both avian and aquatic varieties.

Whether from the sea or sky, sirens are beautiful, dangerous and musical, and we’re open to works that exemplify as well as those which defy those expectations. Sirens will be a book full of tales that evoke a vast spectrum of emotions toward these maidens, empathy, disdain, sorrow, awe and anger. I want stories of wretched and cursed sirens who fight against the roles imposed upon them and tales of those who revel in them. I’m hoping for pieces re-telling or playing upon the traditional myths and others which create their own mythologies, and all the little niches in between.

Rights and compensation: Payment: $10 and a paperback copy of the anthology from World Weaver Press. We are looking for previously unpublished works in English. Seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains nonexclusive right to continue to publish for the life of the anthology.

Open submission period: August 15th – November 15th

Length: Under 7,500 words

Submission method: Email story as a .doc or .rtf attachment to fae [at] worldweaverpress [dot] com. Subject line: Sirens Submission: TITLE

Simultaneous submissions = okay. Multiple submissions = no.

SIRENS submissions banner

Sirens is OPEN to submissions now.

And I just have to say, I know it’s ridiculously early in the process to be thinking this but after seeing these banners Eileen Wiedbrauk made for me to announce that submissions are open, I can’t freaking wait to see the cover for this one.

Just sayin’… 😉

#ScarecrowSelfies Winner

I’m pleased to announce that the random number generator on Random.org has spoken and the winner of the #ScarecrowSelfies draw and a box of ten copies of SCARECROW is…

Drum roll please…

Actually, let’s pause a moment to look at some of these amazing photographic entries:

Awesome, right?

Anywho… the winner is…

Debbie H!

Debbie, please email me your snail mail address and we’ll get this box of books shipped out to you once I get back in town from WWC. I can’t wait to see how you spread the love.

Thank you to everyone who participated. I really enjoyed seeing your scarecrow selfie photographs and reading your cool ideas for how you were going to give the extra copies away. I will definitely do this again some day.

Fractured Friday — Cover Reveals

Today I’m actually away at my favourite convention When Words Collide launching Scarecrow and Corvidae. However, due to some awesomely good luck it just so happens that today B is for Broken is being featured on Cover Reveals. You’ve seen the cover already (I hope) but pop on over anyway because they’ll have uh… honestly, I don’t remember what I sent them as content to run with the cover (I booked the spot a long time ago and this blog post is pre-scheduled and was written at a time when I had pre-convention brain, which is kinda like pregnancy brain [which I do not have]). So. Yeah.

Anyway, take a peek, it’s here –> B is for Broken on Cover Reveals

I write, I edit and I take a lot of naps.

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