Tag Archives: Alison McBain

Bright Spot — Alison McBain

When Brian Hades and I were discussing themes for Nevertheless (Tesseracts Twenty-one) one of the possibilities he suggested was optimistic speculative fiction. I pounced on that idea for two reasons. First, because I’d just recently become aware of solarpunk (largely through Sarena Ulibarri) and was excited to work on an anthology that might include some and second because I’d become convinced that we were living in the darkest timeline.

That was in 2016. I had no idea how much darker it could become.

Still, despite a very difficult couple of years, I manage to find reasons for optimism. Lights in the darkness. And I’m not alone in that.

In the coming weeks I will be hosting a series of blog posts I’m calling “Bright Spots in the Darkest Timeline”. Each will be written by a Nevertheless (Tesseracts Twenty-one) contributor and I think they will serve the dual purpose of giving me an excuse to talk about the anthology, and shining a bit of light into people’s lives.

This post from Alison McBain talks about something that’s all too easily forgotten and taking steps in the right direction…

NEVERTHELESS BLOG POST

by Alison McBain

I think the most important lesson I’ve learned in my writing journey is there is no down without an up, too. Writers talk a lot about harsh critiques, bad reviews, and rejections, rejections, rejections—but there’s also the opposite. Those days where you not only get one acceptance, but you get FIVE. Or when you get your story into your dream journal or magazine or anthology. When someone emails you and says, “Hey, I like your writing.” Or the best yet, when you get another writer saying, “You’ve inspired MY writing journey.”

Now, how cool is that? I had that happen to me this year, and when the person said it to my face, I wanted to turn around and look behind me to see who the person must be talking to, because it couldn’t be me. MY words were an inspiration to someone else who wanted to write? That just blew me away.

This year was a great one for me for a number of reasons—I had a lot of “firsts.” While I’ve had a number of short stories and poems published over the past five years, 2018 was when my debut YA novel, The Rose Queen, hit shelves in July. It’s a gender-inverted retelling of Beauty and the Beast and the first of a trilogy, and people seem to be enjoying it so far. In fact, I’ve had several readers ask when the next in the series will come out (answer: 2019).

Also this year, I became lead editor for the first time and helped put together a very awesome time travel anthology containing stories by a number of award-winning authors from around the world. It’s called When to Now and will be available for sale on October 1st. I was also “promoted” at Bewildering Stories, so I’m a coordinating editor and a member of the Review Board, and get to help choose the quarterly and annual awards to celebrate the best writing the magazine publishes each year.

I feel that now is the best time to be a woman, a POC, and a speculative fiction writer. Every day I hear /read about another anthology or another award that is going to an author in one of these aforementioned categories, to say nothing about the growing popularity of speculative fiction writers from many other marginalized communities and groups. For example, in the Fairfield Scribes’ soon-to-be-released anthology that I’m editing, When to Now, ten out of the eighteen stories are penned by women. And for the second year in a row, the Hugo Awards were dominated by women writers. I can’t say how inspiring this is to me.

I’m not blind to a number of ongoing trends around the world, however—and sometimes it’s hard to stay optimistic when I’m writing science fiction stories, since it seems like perhaps there won’t be a world as we would like to imagine it in 1000—or even 500—years. And perhaps, despite focusing on an optimistic outlook, things could change for the worse sooner than that.

I’ve written dystopian. I know how that line of reasoning goes.

On the other hand, I’d like to think that for every step backward, we’re taking two steps forward. Not just me, personally, but in all the realms of technology, society, and culture. We’re a global community of writers, now more than ever, and it’s a great time to celebrate how far we’ve come. And to look forward to where we have yet to go, and how we can get there together.


Alison McBain was born in Alberta, grew up in California and received her B.A. in African history and classical literature at U.C. Santa Cruz. After her nomadic twenties, she settled in Fairfield, Connecticut, where she is raising three girls and her husband.

She is an award-winning author with more than 70 short stories and poems published, and her YA fantasy novel, The Rose Queen, was released at the end of July. She is also an editor for an awesome time travel anthology coming out October 1st called When to Now. It has contributions from more than ten local authors, in addition to stories penned from around the world, including writers from India, New Zealand, Britain, and Canada.

When not writing, she practices origami meditation and draws all over the walls of her house with the enthusiastic help of her kids. Once in a while, she puts on her editor hat for the magazine Bewildering Stories, or interviews authors and artists at her website www.alisonmcbain.com.


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Nevertheless

I just got home from spending several days in Phoenix to visit a friend and make new ones at CoKoCon (I’ll share more about that later) and while I was away an awesome thing happened. I had a book come out!

Nevertheless (Tesseracts Twenty-one) is available now from Amazon!

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Nevertheless (Tesseracts Twenty-one) is a collection of optimistic speculative fiction stories, each optimistic in a slightly different way. These stories explore the optimism that drives us to seek out new worlds, that inspires us to sacrifice for others or fuels us to just keep going when everything seems lost.

One of the reasons best reasons doing an anthology of optimistic future this year was because no matter which side of the political or social spectrum you land on, it’s been a tough year. Nevertheless we try to remain optimistic. Nevertheless, we don’t give up. Nevertheless, yes, we persist. The stories in this anthology of optimistic SF are some of the darkest optimistic stories you’ll ever read but, nevertheless, they are optimistic. And powerful.

Featuring stories and poems by: James Bambury, Meghan Bell, Gavin Bradley, Ryan Henson Creighton, Darrel Duckworth, Dorianne Emmerton, Pat Flewwelling, Stephen Geigen-Miller, Jason M. Harley, Kate Heartfield, R. W. Hodgson, Jerri Jerreat, Jason Lane, Buzz Lanthier-Rogers, Alison McBain, Michael Milne, Fiona Moore, Ursula Pflug, Michael Reid, S. L. Saboviec, Lisa Timpf, Leslie Van Zwol, Natalia Yanchak

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Coming soon to other platforms and in paperback!

Cover Reveal: Nevertheless

Nevertheless (Tesseracts Twenty-one) is a collection of optimistic speculative fiction stories, each optimistic in a slightly different way. These stories explore the optimism that drives us to seek out new worlds, that inspires us to sacrifice for others or fuels us to just keep going when everything seems lost and in so doing turn the idea upside down and inside out.

One of the reasons best reasons doing an anthology of optimistic future this year was because no matter which side of the political or social spectrum you land on, it’s been a tough year. Nevertheless we try to remain optimistic. Nevertheless, we don’t give up. Nevertheless, yes, we persist. The stories in this anthology of optimistic SF are some of the darkest optimistic stories you’ll ever read but, nevertheless, they are optimistic. And powerful.

Featuring stories and poems by: James Bambury, Meghan Bell, Gavin Bradley, Ryan Henson Creighton, Darrel Duckworth, Dorianne Emmerton, Pat Flewwelling, Stephen Geigen-Miller, Jason M. Harley, Kate Heartfield, R. W. Hodgson, Jerri Jerreat, Jason Lane, Buzz Lanthier-Rogers, Alison McBain, Michael Milne, Fiona Moore, Ursula Pflug, Michael Reid, S. L. Saboviec, Lisa Timpf, Leslie Van Zwol, Natalia Yanchak

Reserve Your Copy Now!

 

Nevertheless Table of Contents

Greg Bechtel and I co-edited Tesseracts Twenty-one and our theme was optimistic speculative fiction. After working very hard for months to craft a call for submissions, put it out, read submissions, narrow them down, narrow them down further. Greg and I live in the same city so we were able to meet in person to discuss the anthology as a whole and individual stories, and thank Gawd for that. I don’t know how we’d have come up with the Table of Contents otherwise. There’d have been an anthology worth of emails involved I’m sure LOL

Once we had the Table of Contents all finalized Greg and I had one more in-person meeting to figure out the title.

It took several hours, and then several emails back and forth afterward, but then the perfect title just stood out. The obvious title. The one that had been staring us in the face the whole time only, for some reason, we’d been too blind to see it.

And we named the anthology:

Recently, in an email explaining this title I said something like this (edited for clarity but still using blockquote because it’s pretty),

“…one of the best reasons for doing an anthology of optimistic future this year was because of the current political situation, and other relevant social and political movements ongoing in the world. It’s been a really tough year (no matter which side of the political or social spectrum you land on), but ‘Nevertheless’ we try to remain optimistic despite the darkness. Nevertheless, we don’t give up. Nevertheless, yes, we persist.

The stories in this anthology of optimistic SF are some of the darkest optimistic stories you’ll ever read but, nevertheless, they are optimistic. And they are awesome.”

I stand by that. And these are those stories:

1. “Inside the Spiral” by Dorianne Emmerton
2. “Pin and Spanner” by Pat Flewwelling
3. “Red” by Alison McBain
4. “Tera & Flux” by Leslie Van Zwol
5. “A Breath for My Daughter” by Jason M. Harley
6. “Steve McQueen and the Hope Particle” by Gavin Bradley
7. “On Reading to the End” by Buzz Lanthier-Rogers
8. “Missed Connections, Mactaquac” by James Bambury
9. “Pirates Don’t Make Amends” by S. L. Saboviec
10. “A Walk in the Woods” by R.W. Hodgson
11. “Hill” by Ryan Creighton
12. “Anhedonia” by Meghan Bell
13. “A Room of His Own” by Ursula Pflug
14. “It’s in the Eyes” by Jerri Jerreat
15. “Across the Seas of Sand” by Jason Lane
16. “Lt. Anderwicz Goes Applepicking” by Natalia Yanchak
17. “With Two Left Feet” by Lisa Timpf
18. “A Threadbare Carpet” by Kate Heartfield
19. “Green Leaves Don’t Fall” by Stephen Geigen-Miller
20. “Proteus in the City” by Fiona Moore
21. “The Garden” by Darrel Duckworth
22. “One Way Ticket” by Michael Milne
23. “The Rosedale House” by Michael Reid

I’m proud of this anthology and look forward to sharing more of it with you this spring 🙂

 

Post edited on 6/4/2018 to reflect the fact that, due to circumstances beyond my control the Table of Contents has changed slightly.