Tag Archives: Kari Castor

Changelings and ASD

This is the third installment of my series of Changeling-themed guest blogs for Fae-tastic Friday. Today’s blog is brought to us courtesy of Kari Castor. Kari looks at the possibility of a connection between changeling stories and ASD.

Changelings and ASD

by Kari Castor

If you’re familiar with fairy folklore at all, you likely know that fairies have a penchant for abducting humans and carrying them away to Fairyland.  Sometimes a fairy, or some simulacrum (often made of wood), is left in place of the abducted human.  These strange creatures, which take the appearance and place of the abductee, are known as changelings.  Changelings are characterized by a variety of different traits – they may have physical deformities, or wither away of illness, or they may be distant and unresponsive, or agitated and difficult to calm.

I’ve always been particularly interested in the ways folklore and mythology arises from real people trying to make sense of real events or situations, and tales of changelings seem to offer many clues about the truths behind the legends.

Story after story about changelings features children who never stop crying.  The original, healthy child is replaced with a clamorous, sickly creature who often doesn’t speak and will not grow (or, if it does grow, remains as helpless as an infant).  It’s not hard to see why modern researchers have suggested that tales of this sort may provide us with evidence of autism spectrum disorder (ASD).  Children with ASD often seem to be developing normally, and then unexpectedly withdraw from social interactions as the disorder manifests.  They may not respond to their own names, have difficulties interpreting social cues, and lack empathy.  They sometimes have repetitive movement patterns (rocking back and forth, for example) or harm themselves (through actions such as head-banging).  Hundreds of years ago, a mother faced with a child who has suddenly begun exhibiting such upsetting behaviors might well have believed her own child had been replaced by a strange, fay creature.

Consider, too, that ASD may appear alongside a wide range of co-occurring conditions, such as epilepsy, that would certainly have affected a child’s ability to grow and thrive without proper care and treatment.  ASD and co-occuring conditions seem likely suspects to account for the truth behind many changeling stories.

Of course, history (even folk history) is never that simple.  Autism spectrum disorder may indeed be part of the genesis for changelings, but it’s clear that it isn’t the whole story.  Rather, the changeling seems to have arisen as a sort of catch-all explanation for a variety of illnesses, both physical and mental.  It was most commonly applied to children, especially infants, but young women also seem to have been vulnerable to becoming changelings.

Martin Luther (you might remember him as the guy who nailed the The Ninety-Five Theses to the door of a church in Wittenburg, thus starting the Reformation), appears to have believed in the existence of changelings.  His writings show a complicated understanding of deformed and disabled children, but he references them as the product of the devil, not of fairies.  In one oft-referenced (though admittedly somewhat unverifiable – John Aurifaber, one of the first collectors of Luther’s words, is known to have made embellishments) incident in 1540, he is said to have recommended that a 12-year-old boy, who was described as being incapable of anything but basic life-sustaining functions, be suffocated, explaining his reasoning in this way: “Because I think he’s simply a mass of flesh without a soul. Couldn’t the devil have done this, inasmuch as he gives such shape to the body and mind even of those who have reason that in their obsession they hear, see, and feel nothing? The devil is himself their soul.”

“Jamie Freel and the Young Lady” was written in the late 19th century (though it certainly has its roots in earlier lore) by a young Irish woman named Letitia Maclintock, and was included by William Butler Yeats in his volumes Fairy and Folk Tales of the Irish Peasants and Irish Fairy Tales.  In it, the hero Jamie Freel is witness to a fairy abduction: “He saw the young lady lifted and carried away, while the stick which was dropped in her place on the bed took her exact form.”  When the young woman is finally returned to her home (thanks to the efforts of Jamie, of course), her parents are at first angry and disbelieving — they’d buried the wooden effigy and mourned their daughter’s death a year prior.

In 1895 (just 4 years after Maclintock’s death at the age of 24) a 26-year-old Irish woman named Bridget Cleary went missing.  Her body was discovered after a weeklong search, buried in a shallow grave.  Her husband and nine other people, Bridget’s family members and neighbors, were tried for her murder. Their defense?  They believed she was a changeling, and were trying to get the real Bridget back from the fairies.  Bridget had fallen ill after a trip to deliver eggs to a family member, and as her condition continued to worsen, her husband became suspicious.  The herbal remedies he began with didn’t have the desired effect, and as more people became involved in the situation, the attempted solutions became more and more extreme.  I won’t reproduce the grim details here, but suffice it to say that Bridget was tortured and eventually burned.  Her husband was certain, after killing the “imposter,” that his real wife would return to him.

Sadly, Bridget Cleary’s case has a fairly typical ending.  Those who were suspected of being changelings were subjected to a variety of “treatments” intended to reveal the changeling’s true nature and facilitate the return of the “missing” individual.  Edwin Sidney Hartland, in his 1981 volume The Science of Fairy Tales: An Inquiry into Fairy Mythology, recounts a number of stories involving the abuse and killing of suspected changelings.  They are burned, or flung into rivers, or abandoned to the elements.  One method even involves setting the changeling child on the floor and having every occupant of the house throw a piece of iron at it.  It’s dark stuff.

The theory behind these methods appears to be the idea that killing (or threatening to kill) the changeling would compel the fairies to return their captive.  And, in the fairy tales and folklore passed down to us, it often works.  The changeling is either killed or returned to its own kind, and the family is reunited with their whole and hale missing loved one.  Unfortunately, the truths upon which these stories are based often had much less happy endings.  Tales of changelings may have given some comfort to parents whose children died of mysterious ailments at a time when child mortality was high.  They likely also provided a convenient excuse for the sacrifice of a physically or mentally disabled child, whose existence must have placed a difficult burden on a family without the knowledge or resources to properly care for such a child.  In a time when children were expected to be productive members of the household from an early age, parents of children who would consume time and resources without being able to contribute were faced with a terrible dilemma.  It is little wonder that these parents would have seized on the “changeling” explanation as a way to make an impossible choice a little less impossible.

 

Kari Castor is a writer and educator. Her fiction and poetry has appeared in a variety of magazines and anthologies, including most recently In Gilded Frame, Spark: A Creative Anthology Vol. 3, and Serial Killers Tres Tria. She is co-writer of the monthly comic series Shahrazad and, in addition, serves as line editor for Big Dog Ink comics. She lives in the Chicago area with her husband, two dogs, and a cat named after a space princess. Find her online at www.karicastor.com.

 

Fae
Fae

Paperback $11.95
Ebook $6.99

 

Fae Contributor Interview: Kari Castor

It’s Fae-tastic Friday again! This week I’m stoked to bring you an interview with another Fae contributor, Kari Castor. I used Kari’s story, The Price, to end the Fae anthology 🙂

~*~

KariCastorKari Castor’s Interview

 

What was the inspiration for your Fae story?

I was reading some Grimm’s fairy tales, and I ran across this very short tale the Grimm brothers had collected and called “The Rose.”  It was such an interesting snippet, and I’d never heard it before, and I really wanted to take the idea and expand it into a fuller story.

Was this your first foray into writing fairy stories?

No, I actually have another short story that deals with fairies that I started working on before “The Price” ever sprang into my mind, but that earlier story is still in the revision stages right now.

If no,  why do you write fairy stories? What is it about them that appeals to you?

When I was a kid, I was always fascinated by magical creatures, including fairies, so as I got older I went seeking out a lot of the legends and folklore behind the pretty stories.  I think the discovery that the original stories often weren’t so pretty — that there was actually a lot of darkness in those tales — made me love them even more.  There’s something very compelling to me about the way the old stories intermingle beauty and danger.

Can you tell us a bit about the specific type of fairy creature in your story?

“The Price” definitely hearkens back to the old legends, particularly those that come out of the British Isles (like Sir Orfeo and “Thomas the Rhymer”), where the fairies are prone to kidnapping young men and women and whisking them away to the realm of Faerie.  These, of course, are not the small fluttering creatures we so often conjure up today in response to the word “fairy” – like John William Waterhouse’s La Belle Dame sans Merci, they are more or less human in size and appearance.  They’re not necessarily good or evil, but they tend to have their own agendas and desires and don’t care much for what suffering they might cause others in the pursuit of them.

Is that your favourite type of fae?  If yes, why?

Probably.  I’m drawn to this type of fairy because they’re so alien, so other, while at the same time seeming so human.  I think they speak to the very selfish, narcissistic side of human nature — the part of us that wants and that can’t help but feel that our own wants are more important than anyone else’s.

I think it’s also interesting that it’s so often unclear why exactly the fairies in these legends are so interested in carrying off humans.  Perhaps its flattering to the human ego that these strange, beautiful, unknowable creatures would want us, mundane as we are.  Perhaps the uncertainty of the abducted humans’ fate lodges itself in our imagination; we do seem to have a collective fascination with unsolved mysteries.

Outside of your own writing, who is your favourite fairy character? (ie: Tinkerbell, Puck, etc.)  What is it about them that makes them special?

I’ve always had a particular soft spot for Ariel from Shakespeare’s The Tempest.  I actually auditioned for a role in The Tempest using Ariel’s “All hail, great master! grave sir, hail!” entrance (reworked to be a monologue) during my freshman year of college.  (I did get cast, but as a general ensemble member, not as Ariel.)

I suppose I like Ariel because he is both so human and so inhuman.  He’s clearly a powerful creature, yet he’s bound to the service of human Prospero, and he chafes against the confinement.  He’s capricious, tempestuous (ha!), at one moment recounting with glee how he burned the king’s ship and terrified the sailors and at the next bemoaning the further work he is being commanded to do.

Largely unlike the fairies of legend, Ariel’s motivations are eminently clear — he wants to earn his freedom from Prospero.  And I’ve always felt that it is through the scenes with Ariel (along with Caliban) that we see the darker side of Prospero most clearly: his manipulativeness, his thoughtless cruelty, how the power he wields has perhaps corrupted him.

And yet Ariel is one of the primary driving forces behind the action in the play.  We’re told that Prospero is a powerful magician, but it seems that often the magic we see or hear about is really Ariel’s, not Prospero’s.

Do you believe in fairies?

No, I don’t believe in literal fairies.  I do believe, though, that it’s important to keep an open mind and a sense of wonder about the world, and I think one way we do that in the modern world is by telling ourselves stories about magic and magical creatures.

Excerpt time!

From “The Price” by Kari Castor:

Addie breathed warmth into her mitten and pulled it back over her fingers. She turned away from the bush and dropped the bucket in surprise.

He was tall and slender, and though he stood just a few feet from her, no footprints marked his passage through the snow.

“I’m sorry,” he said. “I did not mean to startle you.” His voice was quiet and low.

Addie picked up her bucket again, checking that none of the precious berries had been lost. “What do you want?”

“Only to help.” He did not smile. His hair was the color of the ice that formed over the river, dark blue-black, shot through with silver traceries.

Addie shrugged. “Don’t need your help.” She turned away and began walking.

“No, I suppose you don’t,” he said. “Still, I could help you fill your bucket faster.”

“Don’t want your help,” she said, and continued deeper into the forest. She found another bush and added another handful of berries to her bucket.

Again, the man was behind her when she turned. “I mean you no harm tonight,” he said softly.

“Go ‘way,” she said, and trudged on.

By the time her bucket was nearly full, the light was beginning to fade. She turned back toward home.

Once more, the man appeared. “Addie,” he said.

She stood still. “I’m not afraid of you,” she said. “But I know enough not to have truck with strange men in the woods who don’t leave footprints.”

His smile seemed startled but genuine, though Addie couldn’t help but notice that his mouth seemed to have more teeth in it than most mouths do.

~*~

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Fae Cover Reveal Announcement

FAE cover mysteryWorld Weaver Press and I are going to host an official cover reveal for Fae on May 21st. In addition to showing off our fantastic cover, we’ll also be hosting a giveaway of several copies (through Goodreads).

About Fae:

Meet Robin Goodfellow as you’ve never seen him before, watch damsels in distress rescue themselves, get swept away with the selkies and enjoy tales of hobs, green men, pixies and phookas. One thing is for certain, these are not your grandmother’s fairy tales.

Fairies have been both mischievous and malignant creatures throughout history. They’ve dwelt in forests, collected teeth or crafted shoes. Fae is full of stories that honor that rich history while exploring new and interesting takes on the fair folk from castles to computer technologies and modern midwifing, the Old World to Indianapolis.

Fae covers a vast swath of the fairy story spectrum, making the old new and exploring lush settings with beautiful prose and complex characters. Enjoy the familiar feeling of a good old-fashioned fairy tale alongside urban fantasy and horror with a fae twist.

With an introduction by Sara Cleto and Brittany Warman, and all new stories from Sidney Blaylock Jr., Amanda Block, Kari Castor, Beth Cato, Liz Colter, Rhonda Eikamp, Lor Graham, Alexis A. Hunter, L.S. Johnson, Jon Arthur Kitson, Adria Laycraft, Lauren Liebowitz, Christine Morgan, Shannon Phillips, Sara Puls, Laura VanArendonk Baugh, and Kristina Wojtaszek.

If you’d like to participate in the official reveal, please leave a comment to this blog post before May 17th (short notice, I know) and I’ll send you all the information you need by the 19th. Otherwise, just be sure and check back here on the 21st for the official unveiling of the cover and information about how you can enter to win a copy for yourself!

ETA: A friend asked me to explain a bit about what ‘hosting the reveal’ meant, for those people who aren’t familiar with the jargon. Basically, right before the day of the official reveal I will send out a copy of the cover image, a description of the book, links for the Goodreads giveaway, excerpts and all that sort of fun stuff to everyone who signs up to host the reveal. Then, on the day of the reveal all the hosts will post a blog entry with the cover image and whatever other bits of the book information they want to share.

People who don’t have a blog don’t need to sign up, but they can absolutely help still by spreading the word on social media, voting for the book in polls and entering to win the giveaway.

Fae Table of Contents

Silver Pixie CA OrnamentIt’s been quite a journey since World Weaver Press and I first announced that I’d be editing an anthology of fairy stories. Fae has grown from a vague idea to a solid manuscript over the past few months and become even more amazing than I’d hoped. We have seventeen fantastic stories that are going to blow you away.

Allow me to share the table of contents from my forthcoming anthology, Fae:

Rosie Red Jacket by Christine Morgan
The Queen of Lakes by L.S. Johnson
Ten Ways to Self-Sabotage, Only Some of Which Relate to Fairies by Sara Puls
Antlers by Amanda Block
Only Make-Believe by Lauren Liebowitz
F.C.U. by Jon Arthur Kitson
Water Sense by Adria Laycraft
The Cartography of Shattered Trees by Beth Cato
Possession by Rhonda Eikamp
And Only The Eyes of Children by Laura VanArendonk Baugh
Seven Years Fleeting by Lor Graham
The Last King by Liz Colter
Faerie Knight by Sidney Blaylock, Jr.
Solomon’s Friend by Kristina Wojtaszek
A Fairfolk Promise by Alexis A. Hunter
The Fairy Midwife by Shannon Phillips
The Price by Kari Castor

These stories run the gamut from high-tech to old-fashioned and will sweep you away to settings as varied as modern day Indianapolis, the American civil war and mystical medieval kingdoms. They have, as I requested in my call for submissions, lush settings, beautiful prose and complex characters, and come this summer, if you’re a fan of fairies and folklore, you are going to fall in love with this book.