Tag Archives: Robert Runté

Candas as Role Model

We recently celebrated the release of Prairie Starport: Stories in Celebration of Candas Jane Dorsey but some of the contributors wanted to do something a bit more. And so for the next few Fridays my blog is going to feature more stories about Candas and the anthology in the form of guest posts for a mini blog series I’m calling:

More about Candas Jane Dorsey and Prairie Starport

Candas as Role Model

By Robert Runté

I confess when I was younger, I found Candas a somewhat intimidating figure.

She was, after all, courageously following her bliss to live the life of a writer; whereas I had cowardly chosen employment for which one might actually get paid. I greatly envied her freedom and personal fulfilment, as I toiled 9 to 5 in my government job.

I was astonished by her ability to sit down and write without angst, to produce in twenty minutes a document that would have taken me all day, had I been able to manage the task at all. She was and remains a model of efficiency and effective writing, concise and on target in every instance.

I greatly admired her intuitive leadership skills, among which was the ability to move others to action: anyone who fell into her orbit was likely to discover they had somehow volunteered to sit on Boards, or to organize readings, or to make cold calls for some cause, or to otherwise be doing things they would not, in the normal course of events, have thought of doing.

I was somewhat overawed at her weekly salons in which the artistic elite of Edmonton, and frequently the literary greats from beyond, would sit around her living room debating the nature of writing, the cost of tomatoes, and similar eternal verities. It was sobering to discover that writers were real, that there were more of them about than one would have imagined, and that one did not have to travel to Toronto or New York to meet them.

And, being somewhat socially awkward, I was frequently thankful for her frank advice on a variety of topics concerning how one should move through the world, such as pointing out on one memorable occasion, that my attempts not to disrupt the proceedings had been far more disruptive than the initial disruption.

So.

It is possible that on occasion I allowed my better judgement to be overwhelmed by Candas’ unassuming charisma.

I recall one afternoon attending at her house and, having no response to the doorbell, took the initiative of going round the back to intrude upon the privacy of her garden. I found her sitting next the flower bed examining a bloom with flat, but colorful petals.

“Here, eat this,” Candas said, handing me the flower.

Internally, I dithered. On the one hand, this was well before my culinary horizons had expanded much beyond burgers, and food prejudices being among the most strongly held, I did not wish to eat a flower. On the other hand, I did not wish to appear unsophisticated, and I considered carefully that there was no logical reason not to eat the offering. After all, Candas was hardly going to hand me a dangerous herb or one which she did not routinely consume herself. As in so many other cases, I should follow her lead to experience new things and benefit from our fellowship. And, knowing Candas’ powers of persuasion, I recognized that I was going to eat the flower in the end, and the only real question was whether I would do so after my usual whimpering hesitation, or man up and eat the damn thing as if that were a perfectly natural thing to do.

I stuffed it in my mouth and chewed, hopefully before my hesitation was detected.

Candas watched me carefully. I refused to allow any of my consternation to show on my face.

“Well?” Candas asked.

“What kind of flower was it?” I inquired, once I had swallowed.

She named the variety, though in truth the knowing of it made me none the wiser.

“So?” Candas asked. “What does it taste like?”

“What?”

“Well, I’ve always wondered what they tasted like, but I could never quite bring myself to eat one.”

“What!”

“Would you describe the flavour as ‘delicate’? It’s for a scene I’m writing.”

I like to believe that this was an important turning point in my maturity. As with so many other occasions, Candas had introduced me to an important concept, in this case something about not giving into peer pressure, especially when the pressure was entirely in my own head.

Candas, of course, has always been mystified by any suggestion she is intimidating. She considers herself perfectly normal. Which, considering her accomplishments, is a pretty intimidating standard against which to be held.

 

 

Download it for free at:
BookFunnel
Kobo
Playster
Apple

Also available at Amazon

Paperback available at Amazon:
.com
.co.uk

And add it to your shelves at Goodreads

All profits from this collection will be donated to the Bent Arrow Traditional Healing Society in Candas’ name.

Prairie Starport

Prairie Starport: Stories in Celebration of Candas Jane Dorsey

I wanted to to do something to honour Candas Jane Dorsey, because she has done so very much to help me and countless other people. And not just writers or editors or publishers. No. Though she does that as well, Candas doesn’t limit herself to working to benefit people in the publishing industry, she has dedicated her life to helping people. Period.

That deserves recognition.

In fact, it deserves more recognition than I have the power to give, but I wanted to contribute what I could. As did all the authors and artists who contributed to creating Prairie Starport. Though my name is on the cover as the person who put all these things together I could not have done anything without the support and contributions of tonnes of other people — including, of course, my fellow contributors.

This collection contains work by Timothy J. Anderson, Greg Bechtel, Eileen Bell, Gregg Chamberlain, Alexandrea Flynn and Annalise Glinker, Barb Galler-Smith, Anita Jenkins, Laina Kelly, Derryl Murphy, John Park, Rhonda Parrish, Ursula Pflug, Robert Runté, Diane L. Walton, BD Wilson and S.G. Wong.

My contribution is “Sister Margaret” which is a short story about a vampire hunter and a half-incubus swordsman trying to save prostitutes from a vampiric pimp. I wrote it a looong time ago but it still remains one of my favourites.

And because my goal with this anthology is to show appreciation for and celebrate Candas, not to turn a profit, I am giving the electronic version away for free.

 

Download it for free at:
BookFunnel
Kobo
Playster
Apple
More coming soon!

Also available at Amazon

Paperback available at Amazon:
.com
.co.uk

And add it to your shelves at Goodreads

All profits from this collection will be donated to the Bent Arrow Traditional Healing Society in Candas’ name.

 

(In case you’re curious, yes, I could have used the word contribute in its various forms more if I’d tried. I really could have :-p )

 

One of the stories was accompanied by art. Since the interior only allowed for black and white art, we also included the piece on the back cover so that it could be displayed in colour… albeit with a text overlay.