The Table

The Table

I don’t know anything about my father’s family, he was adopted and after he and my mother separated when I was five we never had much of a relationship. It’s a complicated and sad story and is not the point of this blog post at all. I only mention it because I think it may be one of the reasons I value the extended family on my mother’s side so very, very much.

My extended family from my Mom’s side is big. My grandmother had 10 children, 9 of whom survived by the time I was born. Those aunts and uncles married and had kids of their own and we all got together at the holidays at Grammy’s house for a big meal. It was noisy and chaotic and awesome.

The table is made of walnut and originally belonged to my great grandparents (my Mom’s father’s parents). They bought it in the 1930s or 40s (no one seems able to say for sure) and eventually passed it on to my Grammy and Grampy. As things tend to do in our family, (and maybe all big families?) this table eventually was passed down to one of my mom’s siblings, and possibly then another, but at some point it made it into our home.

It was Mom’s sewing table (and she sewed a LOT), where I learned how to quilt, the table where we put our Nintendo when we got it (like, the very first Nintendo system dudes) to play on a teeny tiny little television. It even became a diaper changing table when Danica was a baby. I went from sitting on the board beneath the table with my siblings and cousins, using the knob in the middle as a steering wheel to play imagination games while our parents played cards around us, to changing my own daughter’s diapers on it. This table means so much to me, I can’t even explain…

Then my Mom gave it to me.

By the time it reached me it had been through a lot. It was dinged and scratched. The “steering wheel” had been kicked, scuffed and even chewed on by a dog or two, and the table top had been painted dark brown to try and hide some of the water rings and such.

I decided to refinish it.

I had never refinished anything before in my life.

I was terrified.

What if I screwed up? What if I wrecked the table that probably meant just as much to other members of my family as it did to me?

What if?

But I swallowed my fears and did it anyway.

It took me a very long time, and I should have taken before pictures, but I think I’m finally finished.

Table Top

I stripped all the paint off and then sanded, and sanded, and sanded. A couple coats of stain (Cabernet by Varathane) followed, then three coats of glossy varnish (with more sanding in between, just for fun!) and a final coat of semi-gloss varnish for the top itself*. I think it’s gorgeous.

Also, for those of us who loved it, here is the steering wheel:

steeringwheel

And here are Jo and Dani putting their fingerprints all over the top because they know it drives me crazy:

fingerprints

As for why I’m sharing this on my blog, well, I may have mentioned that I have a pretty big extended family. I wanted a place I could put these pictures for everyone to see. Despite my fears, I think I did a pretty good job here. I’m proud of the results and want to show everyone else for whom this table isn’t just a piece of furniture that I’m taking care of it and giving it the respect it deserves.

Oh, and for everyone who is like “Um, it’s just a table.” well, now it’s a really pretty table. So there’s that.

Now I just need to find some chairs to go with it and tidy up the room its in 😉

*Jo and Dani helped out too but I think it’s fair to say I did the bulk of the work.

Mah New Ink

I just realized that, though I posted these pictures on Facebook, I never shared them here. I think my plan was to “wait and take a picture with my good camera first” but since I got this tattoo in like April and it’s September now, it seems safe to assume I’m never going to get around to having someone take that picture. Besides, Dani did a great job with my crappy point and shoot camera so… yeah.

Here are two photographs of my newest tattoo (It’s on the inside of my left forearm):

ink1 ink2

It’s not the tattoo I asked my artist (Kat Hays, from Atomic Zombie) for during our consult (the crows were meant to be the focus and circle around my arm), but in the end it was so wonderfully, perfectly me that I couldn’t have asked for anything more. The quill pen is amazing as is the murder of crows and I can’t get over all the little details in the ink pot (Do you see the shadow there, dudes? Awesome). The lines coming out of the pot and around the feather add just a wee bit more femininity to it and make it seem magical.

I love it.

Originally I was going to explain all the meaning and such behind it but really, I think it speaks for itself, don’t you?

All The Things

Silver Pixie There are so many things going on around here right now. So. Many. It’s really an exciting time for me, but also stressful and anxiety-producing (isn’t that always the way?). Some of the things I get to share are these:

Submissions are open for Fae! After working on Metastasis I really needed a project that was a wee bit on the lighter side and I feel like this is it — plus it gave me the excuse to license lots of fairy pictures to use on my blog posts, and that is always a good thing. If you have an awesome modern fairy story I would very much like to read it. The details and submission guidelines are right here. Some subs are already trickling in and I’m going to start actually reading them tomorrow.

In other editor-y news, the latest issue of Niteblade is out, and it is fabulous. What’s more, because I love the cover so very much, this is going to be a blog entry with not one, but two pictures in it. So, yay!

Niteblade #25 (25! OMG!) is entitled Alice Underground after a fantastic poem by Brittany Warman. The cover and table of contents are here:

Niteblade #25 cover - Original art by Marge Simon, cover design by Jonathan ParrishLady Mary Speaks of Dreams by Sandi Leibowitz
With The Band by Carl Barker
Bitter Mnemosyne by Sara Norja
Jonesy by Evan Purcell
Alice Underground by Brittany Warman
Starry Night by David Luntz
Le Cirque by Jess Simms
the moon, so low by Dan Campbell
The Kiss of Legend by T.H. Lee
This man by Erik Amundsen
Empire of Ash by Cameron Johnston
Not Too Bold by Shira Lipkin

You can purchase your copy of our latest issue directly from the Niteblade Store, or Amazon (coming soon to Kobo). Each time you support Niteblade with a purchase or donation you make it a little more likely we’ll release our web version of the current issue to the general public to read for free so not only do you get to read a fantastic magazine (if I do say so myself) but you are also making it so other people can too. Win-win, right?

But wait, there’s more!

Quite a while ago Sein und Werden organized an experience with some exquisite corpses and I was pleased to participate. My specific contribution was:

The only blades were lush, verdant. She plunged her fingers down, through them, down like roots into the loam and brought up great handfuls of pungent-smelling darkness. Spread it over her breasts, like oil, while she undulated above, around. Particles spilled from between her fingers and pattered down around her.

Which is a group of sentences I’m ridiculously proud of. But, as much as I adore them all by themselves, they are so much more, well, exquisite, when you read them in context. Check out the “corpse” in its entirety here –> Come The Spring. It’s a  surreal and beautiful thing (I think perhaps, especially the fragment that comes directly before mine). Then, if you liked that you can also read Beetle and The Point of No Return which are two more exquisite corpses which were organized at the same time.

Published: Feeders

Bete Noire Issue #12I’m super pleased to announce that my short story, Feeders, has been published in issue #12 of Bete Noire Magazine. Feeders is a fun little story about the zombie apocalypse as told from the point of view of a cat.

I know, I know, everyone does the animal point of view stories. But it’s cute. It really, really is.

Know what else makes me happy? I’m sharing a table of contents with Marge Simon, Bruce Boston, Robert Laughlin, J.S. Watts and loads more talented writers.

Whoot!

 

Apropos of Nothing…my desktop

Do you remember a few years ago there was a meme/trend thing where people were taking screenshots of their desktops and sharing them? No? Well, trust me. In some subcultures of the internet it really was a thing. Honest.

I was thinking about that the other day. I really liked it. I think you can learn a lot about a person based on their desktop. Some people very obviously orchestrated theirs to give a certain impression, but that, too, told me a lot about them. So I thought I’d share my desktop today (and maybe again when it changes, if people are interested) because why not? And also, because I have the best desktop wallpaper ever these days.

This is the desktop of my main computer, which these days I use for both work and gaming because my laptop is on its last legs:

My Desktop (Summer 2013)

This is one of my favourite moments in wrestling ever so Jo was sweet enough to capture the screen from the dvd for me. Cause he’s cool like that.

What does your computer’s desktop look like?

Thoughts on Metastasis

Metastasis CoverWe’re at a bit of a lull in the production cycle of Metastasis, which makes it the perfect time for me to gather some of my thoughts on it to share.

The creation of this anthology, much like Niteblade, has sort of a sine wave of activity, one week I’m rushed off my feet and feel like my brain is going to explode and the next I’m coasting along with plenty of time on my hands and space in my mind.

With Metastasis things were really busy right at the beginning when we made the announcement and the first big wave of submissions came in, then the activity slowed to a trickle for the bulk of the time we were open for submissions, only to peak again right before the deadline.

After the deadline things got really hectic around here while I read subs and trimmed my selections down to a short list and then to the final bunch I accepted. It didn’t slow down then, though. Once I had the stories and poems chosen we jumped into editing mode, then came paperwork time and now there’s a slight lull, as I said, before we move into final pre-publication stuff and then, finally, onto promoting and selling the book.

This anthology is fantastic. It shines. It really does. And frankly, it had to. I am dedicating my efforts in this anthology to the memory of my mother, so while this is a professional effort on my part it is also very, very personal. And it’s not just personal for me, it’s personal for a great many of the contributors as well. So while I tend to try to rein in my perfectionist streak most of the time, I mostly let it run free while I was working on this book.

And editing it? It was in-freaking-tense. I read each story, each poem, over and over and over again. Through the editing process and again while I figured out the order to put the pieces in, and then again and again to make sure that it all flowed how I wanted it to. Over and over. And these are not light-hearted fun stories. Not even the lightest of them. They aren’t all grim but, I mean, we were dealing with cancer as a theme, it’s pretty tough to make that all rainbows and cotton candy. I didn’t realize just how deeply it was affecting me until I was sitting in a movie theatre watching Pacific Rim and while giant robots and humongous monsters were destroying cities and using ocean liners as maces to smack each other around, I had a constant stream of tears flowing out from below my 3-d glasses. #truestory

Which is not to say the process between accepting stories and now was without its light moments. One of my favourites came as I was playing World of Warcraft and one of my best friends, BD Wilson, sent me an in-game message which said, “For the sake of my ego I submitted to Metastasis using a fake name. Now that my story has been accepted can we publish it under my real one?” Good times.

So I think what I’m trying to say is working on Metastasis has been an emotional roller coaster ride and, well, it’s not over yet 😉

Fae

Autumn fairy sitting on a mushroomI adore fairy tales, but it occurred to me not so long ago, that a remarkably large number of fairy tales don’t actually have fairies in them. I want to bring more fairy stories, modern fairy stories, to the world and that goal is the heart of my latest anthology project: Fae.

Historically speaking fairies have been mischievous or malignant. They’ve dwelt in forests, collected teeth or crafted shoes. In Fae, we want stories that honor that rich history but explore new and interesting takes on fairies as well. We want urban fairies and arctic fairies, steampunk fairies, time-traveling and digital fairies. We want stories that bridge traditional and modern styles and while we’re at it, we want stories about fairy-like creatures too. Bring us your sprites, your pixies, your seelies and unseelies, silkies, goblins or gnomes, brownies and imps. We want them all. We’re looking for lush settings, beautiful prose and complex characters.

This anthology will be published by World Weaver Press.

Rights and compensation: Payment: $10 and paperback copy of the anthology from World Weaver Press. We are looking for previously unpublished works in English. Seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains nonexclusive right to continue to publish for life of the anthology.

About the anthologist: Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the forthcoming benefit anthology, Metastasis. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at http://rhondaparrish.com/archive

Open submission period: September 1 – November 30, 2013

Length: Under 7,500 words.

Submission method: Email story to fae [at] worldweaverpress[dot] com.

Simultaneous submissions = okay. Multiple submissions = no.

Please note, for this anthology I am looking for stories aimed at an adult audience. Not adult as in erotic, but adult as in not children.

Also, I prefer to receive stories as a .doc or .rtf attachment rather than in the body of your email, but I won’t turn away the latter so if you’ve already submitted, don’t panic. 🙂

Updates:

September 3, 2013 – Submissions are Open!
September 4, 2013 – Edited to add note requesting submissions be aimed at adults & specifying that I prefer stories as attachments rather than in the body of the email.
October 1, 2013 – Blog post “Update from the Slush Pile: Fae Anthology
November 12, 2013 – Blog post “Editor’s Update from the Slush Pile
December 1, 2013: Submissions are currently closed. I am reading through all the stories I received. I hope to have passed on or shortlisted all the stories submitted by December 14th and have a final table of contents to send to my publisher by December 21st. If you don’t hear from me before Christmas, please query.
January 2, 2014 – I have responded to all submissions. If you submitted and have not heard back from me, please query.
January 9, 2014 – Blog post “Fae Anthology Submission Stats
February 3, 2014 – Blog post “Fae Submitted
February 12, 2014 – Blog post “Fae Table of Contents

Metastasis Cover & Table of Contents

Metastasis Cover

There it is, the cover for Metastasis. The artwork was done by Jo and the design by Carol Hightshoe. I will definitely devote an entire blog entry to the cover but for today it needs to share a blog entry.

As important as the cover is, what is even more important is the book’s content, and let me tell you, this book’s content is awesome. I use that word a lot, awesome, but these stories and poems really, really are, and they come together in such a magical way. The sum truly is greater than the parts (and the parts are pretty fantastic).

This anthology shines. I can’t wait to share it with you.

Metastasis Table Of Contents

The Cancer Catechism by Jay Lake
Cancer: A Fairy Tale by Marge Simon
Oil and Water by Michael Kellar
The Light Box by Barbara Daniels
Time is the School in Which We Learn, Time is the Fire in Which We Burn by Candas Jane Dorsey
Hunter by Beth Cato
Quantum Therapy by David Sklar
Alchemical Warfare by Sandi Leibowitz
The Gypsy Cure by Bill Ratner
Tide Pools by Kevin J. Anderson
Next Placement by Steve Lickman
The Cure by Scott Lee Williams
Painter X by I J Black
Murder of Crows by Rie Sheridan Rose
The Lady in the Doorway by T. Fox Dunham
The Dead Rise For Me by Morgen Knight
A Brief Description of the Five Stages of Puppet Cancer by David McLain
Cancer Maximized by Mary-Ellen Maynard
Hold That Blade by Beth Cato
Missing by BD Wilson
A Hunter Reflects Upon the Properties of Sunlight, and Also of Ashes by Sara Cleto
Unchanged by Michael S. Pack
Sylvia and the Gynandromorph Sea by Brenda Stokes Barron
Arpeggio by Gabrielle Harbowy
Folklore of Lunenburg County by Robert Dawson
Like Sunlit Honey by Cat Jenkins

Published: Waste Not

Stupefying StoriesMy story, Waste Not, is now available for you to read for free on the Stupefying Stories ezine, Stupefying Stories Showcase. Waste Not is a fun bit of zombie flesh flash that even has an inside joke or two for anyone who has played World of Warcraft with me. Most importantly, perhaps, it makes me grin every time I read it. I hope you have the same experience 🙂

I write, I edit and I take a lot of naps.

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