Tag Archives: BD Wilson

Niteblade and Fae

Seasonal Special Banner - Fae Far Orbit

Normally I don’t post two blog posts on the same day, and I usually wouldn’t make a single post that included details about FAE being on sale and also the latest issue of Niteblade. But today isn’t just another day, so I’m doing exactly that.

First of all, if you didn’t see it, my other post for today is about Giftmas cards. Basically I’d like to send you one, so if you’d like to receive one you ought to sign up using this form right here.

Now, about Fae and Niteblade…

Fae is on sale, and it’s a good one. From now until the end of the year you can get a paperback copy of both Fae and  of Far Orbit for only $19.95. That’s two great anthologies from World Weaver Press for less than twenty bucks. If you’ve already bought one or the other of them, well, what can I say? Books make fantastic gifts, right? LOL Unfortunately these books can only be shipped within the United States, but I happen to know a lot of my friends and readers live there — it’s a pretty big place 😉

Annnnd, last but most assuredly not least — the latest issue of Niteblade came out today.

Cover_Dec2014_noissnIssue #30 (holy freaking hell, 30 issues!) is called Vampyrics and features a fang-tastically festive cover by Marge Simon. Our table of contents looks like this:

Abominable Snowman by Ada Hoffmann
Cold by Thomas Wood
Nameday by Anne Carly Abad
A Million Miles Away by Christian Riley
Vampyrics by John Philip Johnson
Bindings by Jamie Killen
The Art by Sandi Leibowitz
Three Little Words by Sealey Andrews
Ghost Engine Updates an Ad for Angry Spirits by Anne Carly Abad
Date of Death by Stone Showers

We’ve got monsters (traditional and otherwise), subtle horror, kinky fae-like critters, living nightmares and modernized hauntings. This is truly one of our strongest issues yet and with more ways to enjoy it than ever before.

You can check it out at the Niteblade Website. From there you’ll be able to read previews of every single piece we’re offering you, as we try to tempt you into purchasing a downloadable copy (.pdf, .ePub or .mobi) or sending us a donation. As soon as we reach $50 in sales and donations combined we will release the full issue on the website for everyone to read for free (but our downloadable copies are still the best way to experience Niteblade. No lie.)

Or

You can also check out this issue over at Smashwords. There, they will give you the first 20% of the issue for free, to make sure you like what you see before you take the $2.99 plunge and buy a copy –> Vampyrics at Smashwords. From Smashwords you can pick up copies of this issue in every freaking format conceivable. And yes. Your purchases still count toward eventually releasing the web version for free.

But wait! There’s more!

This issue of Niteblade is also available from Amazon and Kobo.

*Catches breath*

So. There’s that.

🙂

 

B is for Broken

It is my pleasure to announce the next title in the series of anthologies which begins with A is for Apocalypse.

B is for Broken

Featuring original fiction by:

~ Beth Cato ~ Cory Cone ~ Alexandra Seidel ~ Suzanne van Rooyen ~ Marge Simon and Michael Fosburg ~ C.S. MacCath ~ Michael Kellar ~ Alexis A. Hunter ~ Sara Cleto ~ Pete Aldin ~ Milo James Fowler ~ Gary Phillips ~ Lilah Wild ~ Jonathan Parrish ~ BD Wilson ~ KV Taylor ~ Simon Kewin ~ Gabrielle Harbowy ~ Steve Bornstein ~ Brittany Warman ~ Cindy James ~ Brenda Stokes Barron ~ Samantha Kymmell-Harvey ~ Damien Angelica Walters ~ L.S. Johnson ~ Megan Arkenberg ~

While I got to pick the theme I have no control over how the contributors handle it, so as you can imagine I’m as excited as you to see the results! Nothing is set in stone just yet, but I’m aiming for a Spring 2015 release 🙂

 

Niteblade #27: The Mermaid at Sea World

Cover art by Marge Simon, Cover design by Jonathan ParrishThe latest issue of Niteblade came out on March 1st and it’s something special 🙂

What if you had power over death? Or, if bleeding could transform you into something new altogether? From dryads to mermaids to lycanthropes to zombies, the stories and poems contained here offer musings on these creatures and much more. So sit down with a cup of tea, a warm blanket, and a book light—these tales will transport you to far-off fantasy worlds and into the forgotten corners of the darkest minds. It is Niteblade, where the strange and unusual lay down their roots.

The table of contents is:

Bird Girl by Beth Cato
Godfather by Megan Arkenberg
The Dryad to the Woodcarver by S. Brackett Robertson
Hunt of the Damned by David Stegora
The Mermaid at Sea World by Ada Hoffmann
Crossing the Veil by Jamie Lackey
the queen’s pauper by Anna Sykora
You Kill Me by Milo James Fowler
Braiding by Sandi Leibowitz
Hold My Hand by K. A. Mielke

And may I just congratulate everyone who works on Niteblade in the background? This is issue #27 that we’ve put out complete and on time. We all struggle with things, personally and professionally, but to date we have never missed an issue or even been late even during times of personal hardship. Now hopefully I’m not jinxing us by saying that, but I think (if I may say so) that it shows a degree of commitment and professionalism that is pretty impressive. You all rock 🙂

 

A is for Apocalypse

What do you get when you take 26 amazing writers, assign them a letter of the alphabet and give them complete artistic freedom within a theme? In 2014 we’ll find out with the release of the first of a series of anthologies:

A is for Apocalypse

A is for Apocalypse is going to be filled with 26 apocalyptic stories (one for each letter of the alphabet) by incredibly talented writers whose diverse styles and preferred themes leave no doubt that this collection will have something for everyone. The writers who are contributing to this collection are:

~ Brenda Stokes Barron ~ Marge Simon / Michael Fosburg ~ Milo James Fowler ~ Beth Cato ~ Simon Kewin ~ Suzanne van Rooyen ~ Alexandra Seidel ~ Sara Cleto ~ Kenneth Schneyer ~ KV Taylor ~ Gary B. Phillips ~ BD Wilson ~ Ennis Drake ~ C.S. MacCath ~ Michael Kellar ~ Cindy James ~ Brittany Warman ~ K.L. Young ~ Pete Aldin ~ Cory Cone ~ Damien Angelica Walters ~ Samantha Kymmell-Harvey ~ Lilah Wild ~ Jonathan Parrish ~ Alexis A. Hunter ~ Steve Bornstein ~

U: Unsettling

Shine OnHe sank into the cold lawn at the foot of the window and began tearing at the blackness, making no more dent on the outside than he did on the inside of his own. Instead of shredding the black lid he was shredding his own fingernails. With every scrape he tore off more nail from each finger, until it was down to skin and he was leaving smears of blood all over the dark canvas. Draynor felt nothing but a need to find someone. To help. To stop this from being his burden alone.

This is an excerpt from J.A. Tyler’s story Shine On which we published in the very first issue of Niteblade. That was quite a long time ago and I’ve read thousands of short stories since then, but this one still sticks in my brain. I find it… unsettling.

Unsettling is a theme we cover over and over at Niteblade, I’m proud to say. What We Give by BD Wilson, for example, has a scene with a hand… well, let’s just say it makes me a little bit ill every time I think about it.

BD’s story was from our March 2008 issue but make no mistake unsettling works pepper the pages of Niteblade all throughout our history, not just in the older issues. More recently, in the December 2012 issue we published a story entitled The House That Did Not Breathe by Gwendolyn Edward and Andrew Austin. I found many things about this story unsettling, from the atmosphere of the piece to the narrator’s prejudices.

Yes. Unsettling indeed, and well worth a read. (Hey, that rhymes!)

~*~

A2Z-2013-BADGE-001Small_zps669396f9This post has been written as a part of the Blogging from A to Z Challenge. My theme this year is ‘Niteblade‘, which is the magazine I publish. I chose this theme to help draw attention to the magazine during this, it’s 2nd annual fundraiser.

My first post in this series was about choosing stories and poems to nominate for awards and I’ve gone through a similar process in deciding what to write about for these posts. Not only did I have to choose stories and poems I loved, but they also had to fit with the A-Z theme. Tricky!

 

 

 

S: Staff

NitebladeWhen I first started Niteblade I did everything but the .pdf layout which Jo did. It was a lot of work. A lot. Like far more than I’d expected going in. Still, I had have control issues so I sucked it up and did what needed to be done.

Then I decided to add some book reviewers. It started with Amber Stults but eventually grew. At one point we had five book reviewers on staff. That was okay with my control-freak self though, because they were essentially independent contractors doing work-for-hire. Which is not to say I didn’t appreciate what they did, I did, still do, but they didn’t have any power, so things were okay. (We no longer do book reviews, but Amber has stuck around and conducts interviews with contributors and others for our blog).

But still, running Niteblade was a lot of work. Slowly it was beginning to wear me down and I began to think about closing the doors. I didn’t want to, you understand, I was just getting worn down. That’s when BD Wilson came on board. BD was (and remains) one of my best friends and so when she offered to take over the web-based part of the magazine, it was only a small struggle with myself to hand over the keys. I couldn’t have made a better decision. Today BD takes care of everything to do with the website, from making it look awesome to ensuring things work smoothly on the back end. I don’t know anything about how the website works anymore, that’s all her. It’s always fantastic. Niteblade would not exist if not for BD. She saved it when I was thinking of closing it and she keeps it going like, if you’ll pardon the cliche, a well-oiled machine.

Even so, Niteblade takes up a lot of my time, and it used to take up more. That’s where Submittable and slush readers come in. Oh my gawd. Slush readers. How I love them. When I switched from email submissions to using Submittable it angered some submitters, but I stuck to my decision because of two big reasons. First, it would mean I’d stop getting spammed. Seriously. You wouldn’t believe the amount of spam my submission email accounts were getting. Secondly, it meant I could bring on some slush readers and make things a bit easier on myself. And did it ever. Man I love slush readers.

We’ve had many different readers over the years so I don’t want to try listing you all in case I miss someone. Still. Slush readers rock. Truly. They have a mostly glamourless job but they are so important. The first line of defense, as it were. They help filter out the submissions that are patently inappropriate for Niteblade and since we started having slush readers the amount of time I have to spend in the slush has decreased immensely. Because I’m sharing the work. It’s fantastic. Our current slush readers are Alexis Hunter, Samantha Kymmell-Harvey and Megan Engelhardt and in my mind they are all rockstars.

And then there is Alexandra Seidel. Alexandra started at Niteblade as a slush reader, but when she expressed a desire to read poetry slush I thought, why not? After a very short while with her reading poetry slush I offered her the position of poetry editor at Niteblade. She and I co-edited a special poetry only print issue of Niteblade together to mark the transition of editoryness (which yes, is totally a word) and then I handed over control of the poetry section to her. This was tough for my little control-freak self, but it was the right decision. Alexa has proven to be a strong, capable poetry editor and has done a lot to increase the visibility of our poetic offerings.

Of course, Niteblade wouldn’t be the same without Marge Simon, but I’ve already dedicated a whole entry to her, so let’s just say she rocks and leave it at that LOL

I wish I could dedicate a whole entry to everyone who works behind the scenes at Niteblade to make it awesome, but I can’t. Not without getting all gush-y and driving readers away. But to all of you, thank you. Thank you so very much. You are the reason Niteblade is as amazing as it is. I couldn’t do it without you.

~*~

A2Z-2013-BADGE-001Small_zps669396f9This post has been written as a part of the Blogging from A to Z Challenge. My theme this year is ‘Niteblade‘, which is the magazine I publish. I chose this theme to help draw attention to the magazine during this, it’s 2nd annual fundraiser.

My first post in this series was about choosing stories and poems to nominate for awards and I’ve gone through a similar process in deciding what to write about for these posts. Not only did I have to choose stories and poems I loved, but they also had to fit with the A-Z theme. Tricky!

 

 

Control Issues

Control issues. I haz em.

When you say it like a Lolcat it sounds almost cute, but they aren’t. They are a huge pain in the ass, for me and everyone else around me. I’ve been working on them for years and years, and one thing that has helped more than anything else is Niteblade**.

When I published the first issue of Niteblade, way back in September 2007, Jo (also known as Jonathan) did the layout for the .pdf and Marge Simon and Shawn Zinyk provided the art (Marge has done all the art since the first issue). I did everything else. Everything. I created and maintained the website, solicited submissions, made editorial decisions, worked on promotion, etc. etc. It was a lot of work, but it was all under my control and that was just the way I liked it.

More or less.

As Niteblade grew so did the workload. You might be surprised how much time can be sucked away answering emails about submission guidelines, for example. Or interview/book review requests. It all adds up, quickly.

Soon I realised I wasn’t going to be able to handle all the book review requests, so if I wanted to accept them I’d need help. That’s where Amber Stults came in. She was our first book reviewer. At one point we had a whole team of book reviewers but managing them and all the finicky little details associated with doing book reviews began to take up too much time so we canceled that aspect of Niteblade. Amber is still here though. Not reviewing books but doing author interviews for our News blog. She’s awesome, works independently and provides regular content for our blog readers without any effort or supervision on my part.

Richard Fay used to do the same thing on our blog, only he was showcasing artists and their work. We canceled that feature, not because of anything on Richard’s end, but because finding artists who wanted to be in our spotlight was becoming more work than it was worth. Go figure.

Anyway, even with Amber and Richard taking slender slices from my Cake of Control I was still responsible for the bulk of the work at Niteblade (and did I mention that it’s a lot of work? It is.). At one point I was feeling very overwhelmed. Niteblade was taking over my life. I wanted to be a writer/editor, not an editor/writer but the magazine was sucking away so much of my time and energy that I didn’t feel like I was getting anything else done, and also we’d been “hacked”. Argh!

“Argh,” I vented to my best friend BD Wilson, “I don’t know how much longer I can do this. I think I may need to close the doors on Niteblade.”

That was when BD saved Niteblade. She joined our staff and took over control of the website. She’s totally automated everything, made it look super purdy and she does all the web-based layouts. She’s fantastic and if it weren’t for her stepping in and taking over that huge responsibility Niteblade wouldn’t be here today. Everything runs smoother now because of BD.

And Niteblade kept growing.

That meant my workload didn’t really decrease despite the fact I had so many people sharing it. Argh! I said. I wasn’t quite as overwhelmed as I had been before when I considered shutting the doors, but I was frustrated. I couldn’t keep up on submissions and my submission email addresses were starting to get more and more spam. But along came Submittable, which made it super easy for me to get help dealing with submissions. We got our first set of slush readers and TA-DA! It was like a giant weight had been lifted from my shoulders. The slush readers* helped weed out the stories that are absolutely inappropriate for our magazine (or the ones from people who don’t follow our guidelines) and so suddenly I only had to read about a quarter of the submissions I used to. Sweet!

Then, one of our slush readers, Alexandra Seidel, wrote a blog about her adventures in the slush pile and mentioned that she was sad to not be reading poetry slush. I began sharing the poetry slush with her and, eventually, she took over completely as poetry editor. Giving her that responsibility, that control, was one of the most difficult decisions I’ve ever made. Ever. But it was a good decision. Alexandra is a fantastic poetry editor. She makes some editorial choices that are quite different from the ones I would were I poetry editor, but the calibre of the poetry we’re publishing has increased dramatically since she took over from me, so I think she’s doin’ it right. I *loved* every poem she picked for the September issue. So much so that choosing which one to put on our cover was a freaking nightmare. She’s an awesome poetry editor and Niteblade is stronger for her presence.

My point is this. Over the past five years Niteblade has taught me how to delegate, how to give away bits of power, slices of control to worthy people. Not only has it made the magazine better, it’s made me better. It’s a huge thing, and maybe it’s something I would have learned just over the course of aging over the last five years, but I dunno… Even if that’s the case, Niteblade, and all the people involved in making it the awesome publication that it is, sped up the process immensely.

I used to like saying that Niteblade was mostly a one-woman show, but now, as we near our five year anniversary, I’m proud to say that it’s takes a whole team of people to put it together, and I think we do an awesome job.

*Our slush readers change from issue to issue, but right now  Megan Engelhardt, Sheri White and Andrew Patterson are the ones toiling in the trenches to make sure our submitters get responses in a timely manner.

**Becoming a mother and “inheriting” a litter of kittens who were only three weeks old also helped LOL A lot.

~*~

This blog post is just one stop on the blog train we’re holding to celebrate Niteblade’s fifth anniversary. Please check out Chris Lewis Carter’s blog if you haven’t already. Chris wrote the awesome story, The Cord, in the March 2012 issue and this train stopped at his blog yesterday. Tomorrow it’s chugging along to Alexis A. Hunter’s blog. Alexis wrote the fabulous short story, Dragons of Fire that we published in our June 2012 issue.

As for me, in trying to decide what to write about for this blog I realised I have a lot to say about Niteblade, so I expect to blog about it more often (for the next little while anyway).

 

Critique Partners

Critique partners. I love mine.

Critique groups and critique partners are two different things. Each group, each person, has their own personality, their own set of pros and cons. I’ve been in terribad critique groups that actually sucked the life out of my writing (and out of me) and I’ve been in fantastic groups that inspired me to write and kept me constantly striving for improvement.

The most recent group I was in was a good one, and we used to meet in a local bar that had a popcorn machine. Like, a big popcorn machine, the type you see at movie theaters. Best of all, the popcorn was free so we’d meet for critiques and totally nom on the popcorn while we were there. It was a good group, small, (only four of us) but friendly and positive. Unfortunately, when you’re dealing with small groups, if even one person’s schedule gets changed you’re kinda screwed. That’s what happened to us, but though we no longer meet up weekly to critique each other’s work, we do get together occasionally just to talk, vent and hang out with a friend who knows what we’re going through in our writerly life.

Even without my group I still occasionally (okay, nearly always) want someone else to look over my work, to help me see the warts I’ve missed and polish up the pretty bits until they shine. On those cases I turn to my critique partners. I’ve had several over the years, and I’ve even paid for critiques (via charity auction) from some writers or editor’s whose opinions I respect.

I’ve received awesome critiques from a lot of people, I don’t want to start naming them because I’m sure to forget someone, just know that the list is long and filled with awesome. The #1 person I have turned to when I needed a critique over the past several years though, has been BD Wilson. We met in a critique group a few years ago and despite a bit of a rocky start (I certainly didn’t accidentally spoil a movie for her or anything, nope nope) we’ve become good friends. In our critique group we called her The Sledgehammer because that’s about how subtle her critiques are — but they are GOOD critiques. I’ve always envied how good her critiques are. Really. She has a skill, a way of figuring out what’s wrong with a story, and showing you in such a way that you can’t miss it, and you can usually figure out how to fix it. She’s made an awful lot of work for me over the years, rewriting, revising, totally scrapping things and trying them another way, but in the process she’s also helped to make me a better writer, and my stories far better than they would be without her.

Thank you, BD 🙂

The other fantastic person who regularily reads over my work and offers valuable feedback is Lauren. Lauren and I meet once a month to hang out, eat deep fried pickles (Okay, so maybe that part is all me, but zomg, so good!) and critique each other’s work. Honestly, even without the critiquing I would look forward to our meetings, because she’s a friend and a fellow writer, and as any writer can tell you, there is something incredibly energizing about hanging out with another writer. The whole “they understand you like non-writers can’t” thing is a little trite, and perhaps overblown, but it’s based in truth. Adding the wonderful social element to valuable critique though makes it a wonderful thing. Lauren doesn’t actually read the genres I write in (except for my work, of course) and I’ve come to find that is a huge, huge asset come critique time. She’s not just going to accept something I’ve written because ‘that’s how it works in fantasy books’ or ‘well, it’s a zombie, so um, yeah?’. It helps me to not only craft better stories, but to become a stronger writer too.

Thank you, Lauren 🙂

Do you have a favourite critique partner? What is it about their feedback that really helps you? Do you send them work as you’re going, or only when it’s complete?

I used to submit parts of works-in-progress to my critique group, but I quickly discovered that, for me, that was a very bad idea, but at least one member of our group used our feedback as we critiqued each of her chapters, to help her mold what was going to come next in the story.

Different approaches to critiquing and critique groups as a whole are interesting to me, I’d honestly like to hear about yours. Good or bad LOL

~*~

This blog post is part of the Blogging from A to Z challenge over the month of April and was brought to you by the letter C. Please pop by tomorrow when I’ll be talking about a super cheerful subject. D is for Depression. Wheee!

*The image I used in this blog post was taken by BD Wilson. I think that’s even a crit she did of one of my stories right there 😉