Tag Archives: Tabitha Lord

Sirens Blog Tour Recap

I’ve hosted several blog tours over the years and made the same mistake with several of them — I didn’t post a recap blog post at the end of the tour. I think recap posts are important because they bring all the links together in one handy place for people who are discovering the blog tour after its over and so I’m working backward and creating those posts for past blog tours that are without. The very first tour to get a schmexy new recap post is Sirens: The Blog Tour.

Sirens are beautiful, dangerous, and musical, whether they come from the sea or the sky. Greek sirens were described as part-bird, part-woman, and Roman sirens more like mermaids, but both had a voice that could captivate and destroy the strongest man. The pages of this book contain the stories of the Sirens of old, but also allow for modern re-imaginings, plucking the sirens out of their natural elements and placing them at a high school football game, or in wartime London, or even into outer space.

Featuring stories by Kelly Sandoval, Amanda Kespohl, L.S. Johnson, Pat Flewwelling, Gabriel F. Cuellar, Randall G. Arnold, Micheal Leonberger, V. F. LeSann, Tamsin Showbrook, Simon Kewin, Cat McDonald, Sandra Wickham, K.T. Ivanrest, Adam L. Bealby, Eliza Chan, and Tabitha Lord, these siren songs will both exemplify and defy your expectations.

I love this anthology, so to celebrate and help spread the word about its release I hosted a contributor-centric blog tour. These were the stops:

Inside a Writer’s Mind — On Editing

Inside a Writer’s Mind – On Editing

Guest Post by Tabitha Lord

Inside a Writer's Mind- On EditingI actually like editing. The bones of my book are already there, and at that point, I know I have a good story. I’ve worked out the major plot tangles and character arcs, defined the conflicts, and sorted the ending. It may not be smooth yet, but I know where I’ve started, where I’ve ended up, and I have a lot worthwhile material in the middle.

It’s out. I’ve birthed a novel. Well, I’ve birthed a manuscript anyway. I know it’s a long way from the finished product.

Editing will take that raw material and refine it, smooth out the flow, and create balance. I know that my fantastic editor will see the things I can’t and cue me to fix them. I know that when I’ve finished this process I will have a much better book. I know that I can get through it because I’ve done it before.

And yet, when I turn in the draft of my manuscript, after months of intensive work, I don’t even want to think about touching it again. I’m exhausted, and the thought of tearing it apart and reassembling it is daunting. It’s also the time where I am plagued by the most crippling self-doubt. What if it’s terrible? What if I have to scrap the whole thing and start over? I’ll never write again. I have no talent. And so it goes…

Inside my head, it’s a strange and dark place during those few weeks. At first, I’m elated that I’ve finished writing, and can confirm with myself that yes, I did it again. I wrote another book. Almost immediately, the doubt sets in. See above. Then, I actually receive the manuscript back from my editor. Let me say this about my editor before I go any further. She’s incredibly skilled at her job. She gets my vision for the story and helps me define it more clearly. She works with the structure of the whole, while digging into the subtle, fine details. She’s masterful and I love her.

But when I receive her five-page editorial document filled with commentary, and my own manuscript covered in red ink, I want to cry. I want to call her on the phone immediately and beg her to tell me she loves me and that I’m not a horrid writer with no talent whatsoever. I’m sure she’s pleased when I refrain from doing this.

Instead, I read what she’s sent me thoroughly, and then I put it aside for a few days, maybe a week. I let the ideas percolate. I begin to see that what she’s suggesting resonates with what I already knew. I take it seriously when she reacts to something in a way I didn’t intend. I recognize my own bad writing habits.

Creative ideas for how to fix things start to flow, in the same way they did when I wrote the draft. I scribble notes everywhere, from the backs of napkins to the little pad I keep by my bed for middle of the night inspiration. I form a plan of attack. Then I call my editor. We talk. We even laugh. And I remember that I love writing, and I’m reassured that I might just have some small bit of skill at it.

 

Originally posted on Book Club Babble

Voices in my Head…

Sirens Blog Tour

 

The Voices in My Head…

Tabitha Lord

As a writer, creating characters is one of my favorite things. Often a character will appear in my mind, complete with a personality, career, and name, but without a story. If I’m working on something else when this happens, I’ll file them away and tell them to wait their turn! Other times, the story I’m working on will demand a new character, and the context and circumstances will help to form them. But once in a while, I’m interested in a character that already exists.

My degree is in Classics. As a student I read the Odyssey many times, even translating portions of it from ancient Greek (my superpower). It was Penelope, Odysseus’s wife, who always fascinated me. Left behind when Odysseus was called to fight in the Trojan War, we encounter Penelope at the very beginning of the poem and then again at the end. She’s portrayed as clever, loyal, and faithful to Odysseus in his absence. But this woman raised a son and ran the family estate in Ithaca for twenty years while her husband was away. There had to be more to her story!

When World Weaver Press announced a new installment in their Magical Menageries anthology series titled Sirens, I thought about Penelope again. It was, after all, the famous Siren Kalypso who held Odysseus captive for seven years, delaying his return to Penelope. Was there a story here about both these women? One a Siren, and one a loyal wife?

As soon as I posed the question, the ladies spoke! Penelope was stronger and shrewder than I first imagined her. She even demanded her own magic. Kalypso displayed a madness that was both innocent and terrifying, and while her voice felt more distant, it was no less interesting. Other minor characters emerged and shared their personalities. Penelope’s loyal servant, Eurykleia, and the treacherous housemaid, Melantho, both sought their place in the story and helped illuminate the politics and intrigue of the household. It seemed as if these characters were simply waiting for me to tell their tale!

The threads of this story wove together in ways I hadn’t predicted. And like Penelope with her tapestry, I unwound and restrung them numerous times. The end result (I hope!) is a unique, feminine, and imaginative retelling of arguably the most famous homecoming in classical mythology.

*

Tabitha currently lives in Rhode Island. She is married, has four great kids, a spoiled cat, and lovable lab mix. She holds a degree in Classics from College of the Holy Cross and taught Latin for years at an independent Waldorf school. She also worked in the admissions office there for over a decade before turning her attention to full-time writing. You can visit her author website at www.tabithalordauthor.com, and follow her on www.bookclubbabble.com where she posts author interviews, reviews, and more. Horizon, her first novel, was released December 2015, and she is currently at work on the sequel.


SIRENS -- cover by Jonathan C. Parrish

Get Sirens Now!

World Weaver Press

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BethCatoBlurb

Sirens Cover and Table of Contents

Here she is, the much-anticipated cover and table of contents for the fourth of my Magical Menagerie anthologies: Sirens!

SIRENS -- cover by Jonathan C. Parrish

Cover by Jonathan C. Parrish

Sixteen siren songs that will both exemplify and defy your expectations.

Sirens are beautiful, dangerous, and musical, whether they come from the sea or the sky. Greek sirens were described as part-bird, part-woman, and Roman sirens more like mermaids, but both had a voice that could captivate and destroy the strongest man. The pages of this book contain the stories of the Sirens of old, but also allow for modern re-imaginings, plucking the sirens out of their natural elements and placing them at a high school football game, or in wartime London, or even into outer space.

Featuring stories by Kelly Sandoval, Amanda Kespohl, L.S. Johnson, Pat Flewwelling, Gabriel F. Cuellar, Randall G. Arnold, Micheal Leonberger, V. F. LeSann, Tamsin Showbrook, Simon Kewin, Cat McDonald, Sandra Wickham, K.T. Ivanrest, Adam L. Bealby, Eliza Chan, and Tabitha Lord, these siren songs will both exemplify and defy your expectations.

Table of Contents:

Siren Seeking by Kelly Sandoval
The Fisherman and the Golem by Amanda Kespohl
We Are Sirens by L.S. Johnson
Moth to an Old Flame by Pat Flewwelling
The Bounty by Gabriel F. Cuellar
The Dolphin Riders by Randall G. Arnold
Is This Seat Taken? by Micheal Leonberger
Nautilus by V. F. LeSann
Siren’s Odyssey by Tamsin Showbrook
Safe Waters by Simon Kewin
Notefisher by Cat McDonald
Experience by Sandra Wickham
Threshold by K.T. Ivanrest
The Fisherman’s Catch by Adam L. Bealby
One More Song by Eliza Chan
Homecoming by Tabitha Lord

Coming July 12, 2016

Reserve your copy now!

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And add it to your Goodreads shelves!

10 Things I’ve Learned Along the Way

Writing is a Team SportIn the spirit of writing being a team sport (get your buttons now! :-p) I wanted to open up my blog to more guest posts about things which might interest my readers. It’s a win/win situation, really. The guest blogger gets to increase their signal, my readers get to read something cool and I get content I didn’t have to write. So… I guess that’s a win/win/win situation really 🙂

I’ll be posting some guideline-type things and information about to snag a guest blogging spot here in the near future, but for now if you’re interested hit me up on social media or via email. Like Tabitha did 🙂 She contacted me on Twitter and boom, bang, just like that I’ve got a great blog post, written by her, ready to share with you. Check this out:

10 Things I’ve Learned Along the Way

by Tabitha Lord

There’s a lot of advice out there for writers. I spend a considerable amount of time during my workweek reading articles and blog posts on everything from marketing strategies to writing craft. Much of it is helpful. Some doesn’t resonate at all. But I do believe it’s dispensed with a generosity of spirit and a desire to be helpful that is characteristic of the writing community. So with that in mind, I’ve created my own list of (hopefully) helpful tips for writers new to the job. Here goes…

1. A completed manuscript is a draft. It isn’t even close to the finished product!

Typing the last word on the last page of my first novel was one of most satisfying things I’d ever done. Writing a book had been on my bucket list of personal and professional accomplishments for years, and when it was finally finished, I was giddy. But, wow, I look at that manuscript now and cringe! Clunky writing, character issues, and loads of info dumping littered my pages.

The thing is, that’s okay. That’s a first draft! But thinking the first draft is ready for the world to embrace, well, that’s a rookie mistake. Don’t get me wrong; completing a first draft is an accomplishment of epic proportions! Celebrate! Rejoice! And then proceed to edit!

2. Beta readers are critical.

Beta readers see things in our manuscript that we don’t because we know our story so intimately. With my first book, for example, some of my beta readers had a problem with the male protagonist. They didn’t like him at all! I had to figure out what they were seeing in him that I wasn’t. In my mind, he was in his early twenties. But once the plot got moving, he needed to make decisions and have a certain authority in his own world that required him to be older and have more experience. The character I had written was still too arrogant and immature to be the hero I needed him to be, and I think this is what my readers recognized. So I did a major edit of his scenes, attempting to keep the essence of his character, but giving him more depth and maturity.

3. Rejections, and lots of them, are part of the deal.

The first time someone said “no thank you” to my manuscript was the worst! But the thing about rejections, once you recover from the sting, is that they can sometimes be helpful. If your manuscript isn’t polished enough, you may need to work with an editor. If the story isn’t pulling people in quickly, you may need to spice up your opening chapters. Usually there is a common thread, and if you are open to hearing it, you can make adjustments and move forward. My first round of rejections, which included one R&R (rewrite and resubmit), suggested that I had a good story, but the manuscript needed more work. I hired an editor, and after months of rewriting, I had a much-improved draft.

4. Everything takes longer than you think in the publishing world.

If you take the traditional publishing route, some of the timeline is out of your control. Acquiring an agent, sending a project out on submission, negotiating a contract, and proceeding to production all take time (think years). If you are independently publishing, it is on you, the writer, to manage the timeline. But either way, a quality product takes time! It took me three and a half years to bring my first book to print, and that’s considered quick. But I’ve learned you can’t rush the process. I wanted a finished product I could be proud of, and it required a lot of time and effort to make that happen.

5. Independent publishing means starting and running your own small business. It’s a viable option – for the right reasons.

I think there are compelling reasons to self-publish. But if you choose this path, it’s an investment. You are essentially starting a small business and you have to treat it as such to be successful. First and foremost your product has to be good, and you have to be willing to put in the time, energy, and funds to make it so. You also have to build an audience, and then promote and market yourself, or be willing to hire others to help you do it. You have to take ownership of it all. For some writer’s, this is exciting. For others, it’s terrifying.

6. Good editing and good cover art are a must.

The first thing a reader sees is the book cover. An eye-catching cover can mean the difference between a potential reader flipping to the back cover blurb, or waking away without a second glance. Likewise, a really good editor offers just the right cues to improve the story. My editor found those places where my characters or plot weren’t working and prompted me to fix them without imposing a solution. I can’t stress enough how important these things are when bringing a book to life.

7. Don’t read the negative reviews!

People like different things. Not everyone is going to like my story. Logically, I understand this, but it still hurts to have my book baby slammed in writing! Early on I received very solid advice: Don’t read the negative reviews. Once the book is out in the world, the time for helpful critiquing is over.

8. Creating balance in my work life is more challenging than I thought.

Two years ago I left a job I loved to do something I loved more – write. Turns out, even though writing is now my full-time work, there still aren’t enough hours in the day! I struggle to balance writing creatively (making up the new stuff), with promoting my existing book, networking, blogging, editing, etc. And there is still a household to maintain!
When I was working full-time outside my home, I made time to write and I protected that time fiercely. Now, other things weave their way into my day and cut into that valuable time. It requires real discipline to stay productive.

9. Writers are wonderfully supportive of other writers.

I love the network of writers that surrounds me. I’ve met lifelong friends at conferences and received valuable advice and guidance from the writing group I belong to. Writers want other writers to be successful, and this sentiment is pervasive and authentic.

10. Go with your gut. There will be decisions to make, and once you’ve done your research, it may come down to trusting your instincts.

There are a lot of resources and good advice for writers out there. Not all of it applies to every person or every project. Whether the advice is about your daily word count or the best path to publishing, there is no one right way. I do my research, ask people I trust who are industry professionals – or who at least have more experience than I do, and then I weigh their information against my own instincts and go with my gut!

~*~

tlj_110714_0134Tabitha currently lives in Rhode Island, a few towns away from where she grew up. She is married, has four great kids, a spoiled Ragdoll cat, and lovable black lab. The house is noisy and the dinner table full! She holds a degree in Classics from College of the Holy Cross and taught Latin for years at a small, independent Waldorf school. She also worked in the admissions office there before turning her attention to full-time writing.

You can visit her author blog at www.tabithalordauthor.com where she hosts guest bloggers and discusses favorite topics including parenting, and follow her on www.bookclubbabble.com where, as a contributing writer, she posts author interviews, reviews, and more. She released her first novel, Horizon, on December 1, 2015.